One glance and you know: Sabrina Carpenter is in her celebrity fashion era, fusing retro whimsy with an undeniable cool factor.
Stepping into the Supervinyl record store in Los Angeles, Carpenter delivered a masterclass in playful, polished celebrity style with a look that felt both classic and utterly current. The centerpiece? A charming red-and-white gingham mini-dress that looks straight out of a 1960s pop fantasia, but with a modern, body-hugging silhouette. The white lace trim along the bustier-style top and hemline added a delicate, almost doll-like femininity, while the thin spaghetti straps kept the overall vibe light and effortless.
The styling here is a testament to the power of cohesive details. Her hair, styled in a high blonde ponytail with a matching red ribbon bow, echoed the whimsical feel of the dress. The soft, feathered bangs framed her face, adding to the retro aesthetic. Makeup was kept fresh and dewy, focusing on luminous skin and a subtle winged eyeliner that felt a little bit mod, a little bit modern.
Mia Goth’s arrival at the Hotel Excelsior on August 29, 2025, wasn’t just a moment—it was a fashion séance. She didn’t just walk in; she channeled the rebellious, unapologetic spirit of Gianni Versace in a way that felt both vintage and alarmingly current.
The dress itself is a treasure: a Gianni Versace Spring 1991 Couture mini-dress. The intricate, almost chaotic patchwork of prints—a mix of animal spots, baroque swirls, and what appears to be a hint of chainmail—is a masterclass in controlled excess. This isn’t the Versace of today’s runways, but a raw, explosive moment from the brand’s archives. Its V-neck cut and sharp, body-conscious silhouette speak a language of pure, unadulterated glamour that feels incredibly relevant right now. The texture is a dizzying visual feast, a collage of fabrics that seems to shift and shimmer with every movement.
Her styling choices were the perfect counterpoint to the dress’s maximalist energy. On her feet, Christian Louboutin Me Dolly Leather Mules in a stark, glossy black grounded the look with a modern, sharp edge, their signature red soles a flash of rebellion against the ornate dress. In her hand, she carried a Celine Mini Besace Clea Bag in shiny calfskin, its clean lines and simple shape a quiet whisper against the dress’s roar. And on her eyes? Thistles the Coco Sunglasses, a pair of classic cat-eye frames that added a touch of old-school Hollywood mystique, a little bit of privacy in the maelstrom of the media gaze.
But the real stroke of genius—the kind of styling decision that separates a good look from an unforgettable one—came from the jewelry. She chose to pair the Versace masterpiece with an extraordinary selection of Tiffany & Co. pieces. The centerpiece, without a doubt, was the Tiffany & Co. Schlumberger Rope Three-Row x Ring, a bold, sculptural piece. This was complemented by a more delicate yet equally captivating Tiffany & Co. Schlumberger Sixteen Stone Ring with Diamonds and, most charmingly, a pair of whimsical Tiffany & Co. Sea Turtle Earrings, which brought a touch of the natural world to the high-wattage glamour of the festival. This juxtaposition of a daring, historical Versace piece with timeless, refined Tiffany jewelry is exactly what makes a look sing.
This is a lesson in how to wear fashion with a story. A look is more than its individual pieces; it’s a conversation between eras, designers, and personal attitude. Mia Goth’s arrival wasn’t just a moment for the Frankenstein press circuit; it was an education in curated heritage, proving that the most compelling celebrity style isn’t about what’s new—it’s about what you can bring back to life.
Is this the dawn of a new, archival-driven era on the red carpet? The kind of moment that forces us all to reconsider what truly holds value in a world obsessed with the next new thing? I, for one, hope so.
Get the Look: Mia Goth Edition
- The Vintage Dress: The look is all about the power of the original. Seek out authentic vintage Versace or high-end archival pieces that tell a story.
- The Sharp Mules: Invest in classic black mules with a pointed toe and sharp heel. They are the perfect tool for grounding a busy print.
- The Structured Bag: A small, clean-lined bag is essential to avoid competing with the dress. Think minimalism in its most chic form.
- Statement Jewelry: Never underestimate the power of a single, well-chosen piece of jewelry. A bold ring or a unique pair of earrings can completely transform an outfit.
- The Sunglasses: Find a pair of classic, slightly retro cat-eye sunglasses. They add an air of mystery and effortless cool.
With satin drama and diamond precision, Claire Holt turned the Venice Film Festival into a masterclass in modern elegance—think Old Hollywood, but with sharper edges.
There’s something about Venice that demands reverence—and Claire Holt delivered it in spades at the 82nd Venice International Film Festival on August 27, 2025. As she stepped onto the “La Grazia” red carpet, she didn’t just arrive—she glided. Her look was cinematic, sculptural, and quietly commanding. It was the kind of entrance that makes photographers pause mid-shutter.
Holt wore a deep burgundy gown that fused satin fluidity with lace architecture. The bodice—sheer, delicately embroidered, and framed by thin straps—offered a romantic counterpoint to the sleek, floor-length skirt. The fabric caught the light like a polished gemstone, shifting between wine and garnet depending on the angle. The silhouette was fitted but not restrictive, allowing movement while maintaining drama. It was a dress that didn’t need embellishment—it was the embellishment.
The styling was restrained but razor-sharp. A diamond necklace with a prominent central stone anchored the neckline, adding a flash of icy contrast to the warmth of the gown. No earrings, no clutch—just one statement piece and the confidence to let it breathe. The synergy between gown and jewelry was textbook red carpet minimalism: one hero, no distractions.
For more moments where stars turn restraint into radiance, explore our archive of celebrity photos .
