Sabrina Impacciatore’s ELLE Italia October 2025 shoot moves between leather, oversized tailoring, and crouched blazer ease.
The October 2025 issue of ELLE Italia opens with Sabrina Impacciatore in a black leather jacket. Hair loose, gold chain heavy, background plain. The turquoise masthead above her feels sharp against the simplicity of the frame.
Inside, the mood shifts. One shot: oversized gray suit, double-breasted, pants wide. She sits on the floor, one leg bent, the other stretched. A smile broad, jewelry gold, heels pointed. It feels relaxed, almost like a pause between takes.
Another frame: crouched low, blazer black with satin lapels, patterned shirt rolled at the sleeves. Tights sheer, shoes dark, hair falling across her face. Accessories gold again, bracelet and necklace catching light. The pose is playful, not stiff.
Together, the cover and spread don’t chase glamour. They lean into contrasts — leather edge, tailored ease, crouched spontaneity. Each outfit feels like a different note, stitched into one editorial rhythm.
Anna Sawai wore a floral ruffled top with indigo tapered pants at Apple TV’s Press Day held February 3, 2026, in Santa Monica, California.
At the Apple TV Press Day on February 3, 2026 , held at Barker Hangar in Santa Monica , Anna Sawai kept things playful and structured, delivering a look that registered somewhere between curated ease and pop-up editorial. Her cropped floral ruffle top bloomed in oversized violet roses scattered over a white background with washes of olive-green leafwork—loose, airy sleeves, a squared smock-like neckline, and a subtle keyhole at the collarbone. It flared outward in motion, not drama.
Paired with those florals came a sleeker bottom half: high-waisted slate-blue pants , sharply tailored, with a visible texture—something between woven jacquard and brushed suiting. The fit hugged just enough, cropped slightly at the ankle, with seams and small metal accents peeking near the waistband. On her feet: gloss-black pointed pumps , no embellishment, no straps—just polish.
Beauty choices were light but deliberate. Her hair, parted center and worn long in soft bends, echoed the not-trying-too-hard pulse of the look. Bare neck. No clutch. The earrings? Skipped entirely or hidden, because the top did the heavy lifting. The whole thing felt more photoshoot test look than premiere outfit—and that might’ve been the point. This wasn’t image over substance—it was just clean expression in high-resolution lighting.
Lily Brooks O’Briant wore a strapless red gown with sheer draping to the Scream 7 x Meta Creator Event held in Los Angeles, February 3, 2026.
At the Scream 7 x Meta Creator Event in Los Angeles on February 3, 2026 , Lily Brooks O’Briant went full crimson. But not horror-movie blood red—more Hollywood premiere red. Wide, saturated, and almost glossy under camera lights. Her strapless gown came built like a nod to old-school glamour: structured bodice, fitted through the waist, and a thigh-grazing slit revealed beneath light layers of soft, sheer chiffon . It moved, a little. Enough to catch light, not enough to distract. Instead of a necklace, the dress itself handled the detail—crafted with a built-in scarf effect looping behind the neck and tumbling into a cape-like fall. Bold, but not loud.
Accessories were smartly edited: a stacked pearl bracelet, red nails matching the dress exactly (commitment, not coincidence), and strappy heels lost beneath the hem. Her auburn hair? Brushed into a voluminous bend, tucked just so over one ear. Not complicated—perhaps deliberately so. The full red carpet fashion beat grounded by proximity to a guy in a Ghostface mask wielding a plastic knife. Yes, it’s that kind of event.
Still, context didn’t steal her shine. What could’ve gone costume-y turned elegant because she didn’t lean into theme; she floated next to it. And sometimes the boldest move in a genre setting is to dress like you’re above the scream.
