Sadie Sink wore The Frankie Shop Tina Faux Leather Trench Coat with a Prada Re‑Nylon Stud‑Embellished Bucket Bag and vintage Prada dress in New York City 2026.
January 8 2026. New York streets still cold from the morning, and Sadie Sink arrives at The Kelly Clarkson Show set glowing but grounded. The first thing seen — that long black trench sweeping around her legs, crisp and a little unruly in the wind. It’s The Frankie Shop Tina Faux Leather Trench Coat in Black , cinched loosely and catching light in folds. She carries the Prada Re‑Nylon Stud‑Embellished Bucket Bag , the metal dots flashing like little street lamps.
Beneath, just a glimpse of what appears to be a Prada vintage dress , short enough to vanish beneath the coat’s edge. She walks fast, laughing mid‑stride, nothing staged. The Dolce & Gabbana Spring 2001 Safety Pin‑Accented Ruched Black Leather Heels peek out, familiar Y2K sharpness meeting something casual and now. Her hair loose, untamed, like she ran a hand through it right before the flash.
At the Julia Fox × David Bronze premiere in New York City on January 7 2026, Chiara Aurelia arrived in a look that felt deliberate yet unforced. She stood against black fabric drapery in a cropped taupe‑gray faux‑fur jacket — soft, thick, slightly undone around the cuffs. Underneath, a fitted black top tucked seamlessly into deep‑black trousers with a plush, almost suede‑like finish. Nothing extravagant, just quiet texture play.
Sadie Sink wore The Frankie Shop Tina Faux Leather Trench Coat in black with jeans and a Prada Triangle‑Logo Tote Bag in New York City 2026.
Stepping out of The Kelly Clarkson Show studio in New York City on January 8 2026, Sadie Sink kept things firm, unfussy, and quietly cool. A classic street style exit moment — flash bulbs, city chill, leather gleam. She wore The Frankie Shop Tina Faux Leather Trench Coat in Black , oversized and softly structured, its shine catching the lobby lights just enough to feel deliberate, not performative.
Underneath, a plain white tee and relaxed mid‑wash jeans rolled slightly at the hem; simple uniform energy, almost disarming. In hand, the Prada Triangle‑Logo Leather Tote Bag — smooth, boxy, the kind of piece that whispers money without screaming it. Black patent pumps grounded the look, utilitarian but neat. Her red hair moved freely, no stylist’s imprint visible. She just looked… done, but not “done.”
