Sadie Sink’s Marilyn Minter portrait for The New Yorker is a fog-drenched fantasy—voluminous curls, glistening lips, and earrings that practically echo through the mist.
Sadie Sink doesn’t just appear on the cover of The New Yorker—she detonates across it. In Marilyn Minter’s September 22, 2025 portrait, Sink is transformed into a high-gloss vision of surreal glamour, equal parts Warhol muse and modern siren.
Her voluminous red curls explode outward like a halo of firelight, rendered with painterly precision that feels both vintage and futuristic. The hair alone could headline a show at MoMA—bold, unapologetic, and unmistakably hers.
The makeup is pure drama: shimmering eyeshadow that catches the light like crushed gemstones, bold red lipstick with a lacquered finish, and skin that glows through the fogged glass effect like a Renaissance portrait dipped in neon. It’s beauty as spectacle, but with intention.
Adorning her ears are oversized, sculptural earrings—possibly custom or editorial pieces—evoking the maximalist jewelry trends of the late 1980s but reimagined for a post-digital age. They’re not just accessories; they’re punctuation marks.
Dua Lipa’s strapless slit dress and Alaïa pumps turned Spotify’s Service95 podcast into a runway moment—fishnets, florals, and all (because why not?).
Dua Lipa doesn’t just attend events—she curates them. At the Spotify x New York Public Library Service95 Book Club Live Podcast Recording, she arrived in a look that fused editorial edge with pop-star polish.
Her strapless black dress was pure drama: a structured bodice that hugged the torso, a thigh-high slit that revealed fishnet stockings, and a hemline that flirted with the floor. The fabric appeared matte, possibly crepe or satin-backed faille, offering a rich contrast to the shimmer of her hosiery. It’s the kind of silhouette that evokes old Hollywood but lands firmly in 2025.
The shoes? Confirmed: Alaïa Square Toe Pumps in Haircalf. Their bold blue hue and sculptural platform added a jolt of color and architectural tension to the otherwise monochrome palette. It’s a styling move that says, “I know the rules—and I’m rewriting them.”
Accessories were minimal, letting the textures do the talking. No necklace interrupted the neckline, and no bag cluttered the silhouette. Her pose—confident, relaxed, slightly angled—was pure red carpet fluency.
Anastasia Karanikolaou’s textured mini and strappy heels brought high-gloss heat to LTK’s NYFW soirée—think Studio 54 meets influencer precision (with a twist).
Anastasia Karanikolaou didn’t just show up to LTK’s New York Fashion Week event—she arrived like a headline. Standing against a gilded logo wall and patterned wallpaper, she delivered a look that fused retro glamour with modern edge.
Her black mini dress was a study in texture and tension. Sleeveless, with a plunging V-neckline and a sculpted silhouette, the fabric shimmered with a subtle sheen—possibly a crushed lamé or embossed satin—that caught the light like a disco ball in repose. The cut was clean but sultry, hugging her frame without veering into excess.
She paired the dress with strappy black high-heeled sandals—barely-there but impactful. The styling was smart: no necklace to compete with the neckline, no clutch to clutter the silhouette. Just a bracelet on one wrist, adding a hint of sparkle and balance.
