Sadie Sink’s latest Armani Beauty shoot is a quiet revelation—her black-and-white palette, paired with red waves and soft light, feels like a love letter to restraint.
In a world of maximalist campaigns and over-styled editorials, Sadie Sink’s August 2025 photoshoot for Armani Beauty is a breath of satin-smooth air. Captured in a softly lit room, Sink trades spectacle for intimacy, offering a look that’s more whispered poetry than billboard bravado. It’s a visual lullaby—elegant, pared-back, and quietly magnetic.
Sink wears a sleeveless black top paired with a white satin skirt—an ensemble that plays with contrast not just in color, but in texture and tone. The top is matte, structured, and minimal, while the skirt flows with a liquid sheen, catching the ambient light like moonlight on water. The silhouette is classic: fitted above, fluid below. It’s the kind of look that could belong in a 90s Calvin Klein campaign or a Sofia Coppola film—timeless, tactile, and emotionally resonant.
No jewelry, no embellishments—just fabric, form, and presence. The absence of accessories feels intentional, allowing the materials to speak without interruption. In a second image, Sink is seen in a white bathrobe, applying mascara in front of a mirror. It’s a moment of quiet ritual, a nod to the kind of c elebrity photos that capture not just style, but soul.
Maria Bakalova’s latest editorial for Numéro Netherlands is a visual jolt—her layered silhouettes and surreal textures channel a kind of couture chaos, beautifully controlled.
Maria Bakalova has never been one to shy away from fashion’s more theatrical corners, and her August 2025 photoshoot for Numéro Netherlands proves she’s fluent in the language of editorial drama. Across a series of stark compositions—some in monochrome, others bursting with color—Bakalova transforms into a living sculpture, each look a study in tension, texture, and unapologetic eccentricity.
In one black-and-white frame, Bakalova wears a strapless black top with a fitted bodice, paired with a voluminous, ruffled skirt that flares dramatically at the hips. The skirt’s horizontal layers create a sculptural rhythm, almost architectural in their precision. Beneath, patterned leggings swirl with embellishments—baroque meets cyberpunk. Another look features a fuzzy, cropped charcoal top with buttons, juxtaposed against a sheer orange skirt embroidered with sequined florals. The contrast is electric: matte versus shimmer, restraint versus riot.
Rachel Zegler’s latest editorial moment fused boardroom bravado with red carpet finesse—her tailored Alex Perry ensemble was pure cinematic precision, minus the theatrics.
Rachel Zegler has long mastered the art of balancing softness with strength, and her September 1, 2025 photoshoot proves she’s not just playing dress-up—she’s rewriting the rules of modern power dressing. In a quiet corner with cream walls and carpet underfoot, Zegler stood like a portrait in motion, her look a study in tailored tension and tonal elegance.
The foundation of the look is a rich brown pantsuit from Alex Perry, composed of tailored trousers, a halter top, and a double-breasted fitted blazer. The blazer’s structure is razor-sharp—black buttons punctuate the front like exclamation marks, while flap pockets add a touch of utilitarian edge. The halter top beneath dips into a deep neckline, softening the suit’s geometry with a whisper of sensuality. The trousers fall straight and clean, elongating the silhouette with architectural grace. The fabric appears to be a wool-blend suiting material—matte, dense, and designed to hold its shape without stiffness.
Zegler’s accessories are minimal but deliberate. Black pointed-toe shoes peek from beneath the hem—sleek, classic, and grounding. Though not visible in this frame, the styling reportedly includes Lucy Quartermaine’s Single Drop and Open Drop rings—fluid, sculptural pieces that echo the suit’s clean lines. A Jimmy Choo Diamond Crossbody Bag adds a whisper of sparkle, balancing the matte tones with a hint of gloss.
