An emerald-embellished necklace, a perfectly cut tuxedo—Sadie Sink’s latest look (a timeless classic, really) at the Venice International Film Festival redefines modern elegance with a dark, romantic edge.
In an industry often consumed by theatrical gowns, Sadie Sink is making a compelling case for a different kind of red carpet power. Captured during the 82nd Venice International Film Festival , her look, shot by Davide Frandi for Armani Beauty, is a masterclass in understated authority. She eschews a flashy dress for a sharp, tailored tuxedo, creating a striking silhouette that feels both classic and distinctly modern. The fabric, a rich velvet, absorbs the light, giving the ensemble a deep, inky texture that’s infinitely more interesting than a flat matte. The high-waisted skirt flows seamlessly from the jacket, creating a clean, uninterrupted line. This isn’t just a suit; it’s an architectural statement.
The most arresting detail, however, is the jewelry. A multi-layered necklace, dripping with oversized emeralds and diamonds, sits against a crisp white shirt, which is left unbuttoned to a dramatic V. The emeralds provide a brilliant, jewel-toned flash against the dark fabric, a perfect counterpoint to the velvet’s deep black. The styling here is everything—the combination of the rigid tuxedo with the natural, flowing movement of her unbuttoned shirt and the raw sparkle of the necklace creates a tension that is both sexy and sophisticated.
Sink’s attitude perfectly complements the outfit. Her pose is calm and direct, her gaze meeting the camera with an almost serene confidence. Her hair, a cascade of soft, auburn curls, adds a touch of bohemian softness, preventing the look from feeling too severe. The makeup is subtle, focusing on a clean, glowing complexion that allows her natural features to shine. This isn’t a look that tries too hard; it’s a look that knows its own power. It solidifies her place among the most compelling celebrity style icons today, effortlessly fusing old-world glamour with a fresh, contemporary sensibility.
In a gown that played with symmetry and shadow, Thomasin McKenzie brought architectural drama—and a whisper of vintage noir—to the red carpet in Venice.
There’s a certain kind of red carpet moment that doesn’t scream—it hums. At the 82nd Venice International Film Festival, Thomasin McKenzie arrived for the premiere of The Testament of Ann Lee in a look that felt less like a dress and more like a study in cinematic geometry.
McKenzie’s strapless black gown, punctuated by horizontal bands of white lace, was a masterclass in contrast and control. The fabric itself—likely a structured silk blend—held its voluminous shape with precision, flaring outward into a full skirt that recalled mid-century couture silhouettes. The lace, delicate yet deliberate, added rhythm to the composition, breaking up the darkness with a kind of visual breath. While the designer remains unconfirmed at press time, the craftsmanship suggests a house fluent in both drama and restraint—think Valentino or Simone Rocha.
Her silver necklace and matching earrings were minimal but strategic, catching the light without competing with the gown’s architectural intent. No bag, no gloves, no excess. Just the essentials, styled with the kind of editorial clarity that says: this is a look, not a costume.
For more moments like this, explore our curated archive of red carpet looks that continue to shape the language of celebrity fashion.
At the 82nd Venice International Film Festival on September 1, 2025, Amanda Seyfried redefined red carpet elegance with a bold, unapologetically modern look—wearing the same Versace ensemble Julia Roberts debuted just days earlier. This isn’t fashion repetition—it’s a statement.
The first time I saw Julia Roberts in that wool jacket and striped shirt at Venice, I thought: This is how you launch a new era. Then, less than 48 hours later, Amanda Seyfried stepped onto the photocall for The Testament of Ann Lee—not in a gown, not in couture—but in exactly the same look. And somehow, it felt more powerful. More real.
Because this wasn’t about who wore it best. It was about who wore it with purpose.
On September 1, 2025, at the 82nd Venice International Film Festival, Seyfried arrived in a look that could only be described as Versace’s quiet rebellion: an oversized navy blazer, a yellow-and-white striped shirt left unbuttoned to the navel, high-waisted dark denim jeans, and flat black sandals. She wore it with her hands in her pockets, her blonde waves falling loosely over her shoulders, and a smile so easy it looked like she’d just stepped out of a Parisian café after a long lunch.
It was effortless. It was sophisticated. And it was—dare I say—revolutionary.
Let’s talk fabric. That blazer? Structured wool, yes—but not stiff. It drapes with a softness that speaks to Italian tailoring’s mastery of balance: strength without rigidity. The sleeves are rolled up, revealing the striped shirt beneath, a detail that feels both casual and deliberate. The shirt itself—a classic button-down in pale yellow and cream stripes—has a slight sheen, likely a silk blend, which catches the light just enough to elevate it from “workwear” to “red carpet art.”
Then there are the jeans. Not skinny. Not flared. But wide-leg, high-rise, and cut with a straight leg that elongates the silhouette. They’re not your average denim—this is premium indigo, probably selvedge, with a subtle fade at the thighs that suggests wear, not perfection. Paired with a slim black leather belt featuring a gold buckle—yes, gold , not silver—this is where the Versace DNA sneaks in: luxury in restraint .
And the shoes? Flat black sandals with a square toe and thin straps. Minimalist. Grounding. A far cry from the stiletto heels we expect on a red carpet. Yet, they work. Why? Because they don’t compete with the outfit—they complete it.
Styling Cohesion: When Less Is Everything
This look is a masterclass in stylistic cohesion . Every piece serves a function, and none are redundant. The unbuttoned shirt adds vulnerability, the blazer provides structure, the jeans ground the look in reality, and the flats make it wearable— truly wearable.
But what makes it iconic is the attitude . Seyfried didn’t pose. She didn’t strike a dramatic stance. She stood with one hand in her pocket, looking directly into the camera with a calm confidence that said: I am here, and I am comfortable in my power.
Her hair? Slightly tousled, natural-looking waves—no perfect blowout, no sleek backcombing. Her makeup? Subtle: a soft blush, defined brows, and a nude lip with a hint of gloss. And those nails? Bright red— a pop of color that cuts through the neutral palette like a knife through butter.
It’s not flashy. It’s not loud. But it’s unforgettable .
The Fashion Statement: Reclaiming the Red Carpet
We’ve been conditioned to believe that the red carpet must be a spectacle. Gowns. Jewels. Heels. But this moment—Seyfried’s look at Venice 2025—challenges that narrative.
It’s part of a larger shift: celebrity style is becoming more relatable , more grounded, more human . And it’s happening because of designers like Dario Vitale, who, under his creative directorship at Versace, is quietly dismantling the brand’s legacy of overt opulence in favor of something deeper: quiet luxury .
As one industry insider told me backstage at Milan Fashion Week:
“Dario isn’t trying to shock. He’s trying to resonate . And when someone like Amanda Seyfried wears his clothes with such ease… it’s not just fashion. It’s a cultural signal.”
This isn’t just a look. It’s a statement . A declaration that glamour doesn’t have to be loud to be powerful. That elegance can live in a pair of jeans. That a woman can be both fierce and relaxed, stylish and approachable, all at once.
And let’s be honest— it’s sustainable too . By borrowing Roberts’ look, Seyfried avoided the need for a custom-made gown. In a world obsessed with fast fashion and constant novelty, this is a rare act of fashion intelligence .
The Cultural Impact: What This Means for Celebrity Fashion
We’ve seen this before. Remember when Celine Dion wore a simple black dress to the Oscars in 2013? Or when Audrey Hepburn showed up to the 1961 premiere of Breakfast at Tiffany’s in a little black dress by Givenchy? These weren’t just outfits—they were moments .
Seyfried’s Venice 2025 look may not be a gown, but it’s just as significant. It signals a shift in how celebrities engage with fashion: not as mere mannequins, but as curators . As women who understand that style isn’t about following trends—it’s about owning them .
And in doing so, they’re giving us permission to do the same.
Get the Look: How to Channel Amanda Seyfried’s Venice Vibe
Want to recreate this effortlessly chic aesthetic? Here’s how:
- Start with the Blazer : Choose an oversized, structured blazer in navy or black. Look for one with clean lines and a slightly boxy fit.
- Layer with a Striped Shirt : Opt for a silk or cotton-blend shirt in soft pastel tones. Leave a few buttons undone for that relaxed, confident vibe.
- Choose High-Waisted Jeans : Go for a wide-leg or straight-leg cut in dark indigo. Avoid anything too tight or trendy—this is about timeless shape.
- Add a Belt : A slim leather belt with a gold buckle adds a touch of sophistication.
- Finish with Flats : Black square-toe sandals or minimalist mules work perfectly. Keep it low-key.
- Style Your Hair & Makeup : Loose waves, minimal makeup, and a bold nail color (like red) will complete the look.
It’s not about replicating the exact pieces—it’s about capturing the spirit : confidence, comfort, and quiet power.
