Salli Richardson wore a black strapless structured gown with cage like skirt at the 31st Critics Choice Awards 2026 in Santa Monica.
Salli Richardson arrives at the 31st Annual Critics Choice Awards at Barker Hangar in Santa Monica, stepping onto the red carpet in a look that feels both careful and a little daring. The dress is a black, strapless column that swells out into a rounded, almost bubble-like middle before dropping into a long, flared skirt. Narrow bands of glittering fabric run vertically over sheer black panels, so the whole gown reads like a cage built from tiny stars.
Jackie Tohn wore an off shoulder yellow column gown with pockets on the 31st Annual Critics Choice Awards 2026 red carpet.
At the 31st Annual Critics Choice Awards on January 4, 2026, at Barker Hangar in Santa Monica, California, Jackie Tohn steps onto the carpet in a straight-shot block of yellow. It is an off‑the‑shoulder gown, clean and structured, the neckline dipping into a soft V that frames her collarbones. The bodice is fitted and seamed, then spills into a long column that reaches the floor. The skirt has quiet volume at the hips and, crucially, side pockets—her hands resting in them keep everything from feeling too stiff. Against the charcoal star backdrop of one of the busiest nights on the celebrity red carpet calendar, the color hits like a traffic light you cannot ignore.
The details are simple on purpose. No necklace, no stacked bracelets, just small gold earrings and loose, dark hair parted in the middle, falling in soft waves over her shoulders. Makeup stays in the neutral lane: defined eyes, a natural lip, skin that looks like skin. The bright dress could easily tilt into cartoon territory, but the way she stands—shoulders relaxed, gaze steady—brings it back to earth. It feels like a person wearing a dress, not a dress swallowing a person, which is not always the case at these things.
Nicole Brydon Bloom wore a sleeveless shimmering gown with thin straps at the 31st Annual Critics Choice Awards in Santa Monica on January 4, 2026.
Santa Monica, January 4th. Black carpet, backdrop stamped with FIJI, milagro, Critics Choice Awards logos. Nicole Brydon Bloom stood there in a gown that felt steady, simple, almost stubborn in its shimmer.
Floor‑length, sleeveless, thin straps. Fabric catching light, metallic sheen running across the surface. The gown hung straight, no heavy embellishment, no sequins beyond the shimmer itself. Shoes hidden beneath the hem. Hair styled natural, loose. Jewelry not obvious, no clutch in hand.
