Samara Weaving unveils a shimmering, high-voltage look for US Vogue—a velvet revolution that merges futuristic armor with Old Hollywood femininity for an undeniable coup.
Forget everything you thought you knew about soft-focus, romantic pink. In the pages of US Vogue’s September 2025 issue, Samara Weaving, the magnetic star of Hulu’s Nine Perfect Strangers and the upcoming Azrael , unveils a look that’s anything but demure. Leaning into a muted, almost clinical gray backdrop, a single shaft of light illuminates a dazzling dress that feels like a lost piece of couture reanimated for a modern dystopia. It’s a striking, unapologetic moment that positions Weaving not just as a compelling actress, but a formidable fashion force.
The garment in question is a breathtaking Fendi ready-to-wear slip dress, a sheer-paneled masterpiece that seems to have been spun from moonlight and metal. Its surface is a tactile tapestry of floral appliqués and iridescent paillettes, each one catching the light with the subtle, disquieting shimmer of a circuit board. The delicate spaghetti straps and plunging bustier silhouette hint at a classic glamour, but the architectural embroidery gives it a sculptural heft. It’s a dress with a dual identity: fragile and fiercely armored, a true runway moment that feels both historical and brand-new.
The entire atmosphere is meticulously calibrated. Her platinum hair, pulled back into a simple style, allows the flawless makeup and expressive jewelry to command attention. The accessories are equally vital: a pair of cascading pink tourmaline and brilliant-cut diamond earrings from Bulgari’s High Jewelry collection mirror the dusty rose tones of the dress, while a single, elegant ring completes the look. The combination of classic fine jewelry with the futurist dress is an ingenious study in tension. This kind of nuanced, high-stakes styling is what makes celebrity fashion so captivating.
So, is this the dawn of “tech-couture” on the red carpet, a fusion of ethereal romance and industrial-age futurism? Or is it simply Samara Weaving proving, with effortless grace, that the most compelling style moments are born from a beautiful contradiction?
Ana de Armas, the actress who knows a thing or two about glamour, unveiled her latest collaboration—a striking new campaign—with beauty powerhouse Estée Lauder.
There’s a certain kind of glow that can’t be faked, and Ana de Armas just debuted it in her latest campaign for Estée Lauder’s Advanced Night Repair. It’s not just a look; it’s a mood. Against a moody, rain-swept background of midnight blue and inky black, de Armas appears lit from within, her skin a soft-focus vision of health and luminosity. It’s a stunning example of celebrity fashion that doesn’t require a red carpet or a dramatic gown, proving that sometimes the most impactful statement is flawless skin and a confident gaze.
The campaign imagery, a collaboration between the star and the iconic beauty brand, focuses on two key products: the new Derm-Advanced Eye Lift and the classic Advanced Night Repair serum. In one image, a streak of light catches her eye, highlighting the precise, targeted effect of the eye lift product. In another, she holds the signature amber-hued bottle of Advanced Night Repair, a drop of the serum suspended in mid-air, a visual testament to its promise of a “beauty sleep in a bottle.”
De Armas’s style here is pared back but no less powerful. She wears a simple black top, allowing the focus to remain on her glowing skin and the product itself. The styling is a masterclass in elegant simplicity, a direct reflection of the brand’s sophisticated aesthetic. Her hair is styled in loose waves, framing her face and emphasizing the natural, effortless beauty that has become her trademark. It’s a look that’s both aspirational and attainable, and it perfectly encapsulates the kind of subtle but impactful beauty that the products promise to deliver.
Never one to play it safe, Delilah Belle and Amelia Gray unleash a new kind of “whiplash chic” in their striking September 2025 editorial for US Vogue.
The image hits like a fever dream, an intimate moment captured with a jolt of high-octane glamour. On a concrete ledge by the water, the two sisters are locked in a silent, intensely stylish dialogue. The atmosphere is tense, cinematic—like a scene pulled from a glossy neo-noir film. One sister, perched on a sleek, turquoise structure, wears a black bustier-style top, a study in sharp angles and severe lines, paired with a lush, dark brown fur stole. Her counterpart, standing, commands the frame in a crisp, white bustier-like top with plunging neckline, its fabric catching the light like liquid silver, and a cool gray, A-line skirt. The juxtaposition of the raw, waterfront setting and the meticulously styled fashion feels deliberate, a commentary on the collision of grit and glamour.
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This isn’t just about clothes; it’s a mood board for a new era. The editorial, titled “Top Down,” feels like a challenge to the established order—as the accompanying text suggests, a “whole new way to think about our chests.” It’s an exploration of form and silhouette, where fashion becomes armor. Photographed by Steven Klein, the images are less about gentle beauty and more about a provocative, almost confrontational sensuality. The styling—from the severe, slicked-back hair to the dark, wraparound sunglasses—projects a cool, detached confidence. This is a look that doesn’t ask for permission; it takes the spotlight.
The sisters’ poses, particularly the dynamic between them, tell a story of unspoken connection, a shared world of high-fashion cool. It’s a testament to their presence and the aural intensity of Klein’s photography. Is this a new kind of glamour, one that’s less about a red carpet parade and more about an attitude? It feels like the start of a quiet rebellion, one piece of clothing at a time. So, are we witnessing the dawn of a more defiant, emotionally charged fashion—or just Delilah and Amelia proving, yet again, that the best looks are the ones that make us think?
