Sammi Hanratty wore a black ribbed sweater and long gray skirt at the IMDb Filmmaker Celebration Dinner in Park City, January 26, 2026.
Sammi Hanratty wore a blue puffer jacket with dark jeans and gloves at the GLAAD Celebration during Sundance in Park City, January 2026.
Function-first and completely unbothered — and maybe that’s the winter flex we should all embrace. Sammi Hanratty arrived at the 4th Annual GLAAD Celebration during Sundance on January 24, 2026 , dressed for actual weather. Not for cameras. Not for Instagram. Just… dressed.
She wore a light-indigo puffer jacket , matte and intentionally basic, the kind that stays zipped because it’s cold, not because it’s edgy. Underneath? A black ribbed turtleneck you only see in contrast — no shout, just balance. The denim was dark-gray, a little worn-in, slightly flared on the hem and sitting right above a soft pair of snow-ready boots.
Accessories followed suit: a black knitted headband , worn over loose waves, and a pair of dark gloves — the practical kind, not faux-leather styled ones. No wild makeup, no stacked jewelry, no posing like the heat lamps are enough. This was pure event appearance reality.
Honestly? It works. And not just because she stuck to function. The full-tone dressing — black/gray/blue — lets it pass effortlessly as casual style. Comfort-forward, but thought-through.
Sammi Hanratty wore a figure-hugging chocolate brown halter gown to the Wuthering Heights World Premiere in Los Angeles, January 28, 2026.
There’s something disarmingly direct about this look. No sparkle, no waist-high slit, no metallic drama — and yet it hits harder than most. Sammi Hanratty stepped onto the Wuthering Heights red carpet in Los Angeles on January 28, 2026, wearing a deep chocolate brown gown that didn’t need embellishment to feel cinematic.
The cut is sleek — halter neckline , deep plunging front with soft draping, and a column silhouette that skims rather than clings. It’s not trying to redefine red carpet fashion moment norms. It just does its thing. Quietly confident. The fabric catches just enough light to move but not shimmer, and that restraint is refreshing.
Her long, loose hair adds softness — no slick ponytail or updo here. Just texture, just movement. Makeup’s gentle: blush tones, glossy lips, clean skin that doesn’t fight the dress for attention. Accessories? Barely visible, which honestly works. There’s nothing fighting to be seen except the dress and the girl wearing it.
And that’s the best part — nothing is trying too hard. This isn’t a “look at the gown” moment. It’s more, “Look who showed up and didn’t need to scream in sequins.”
