Sara Jimenez wore a velvet-buttoned top with a short skirt and leather boots at the Madrid premiere on November 27, 2025.
On November 27, 2025, Sara Jimenez attended the premiere of Las Hijas De La Criada at Callao Cinema in Madrid, wearing a black velvet long-sleeve top with silver buttons, a short skirt, and knee-high black leather boots. The look, set against a vintage-themed promotional backdrop, delivered a moment of modern edge with historical undertones.
The velvet bodice, punctuated by silver buttons, evokes a sense of Victorian formality, while the short skirt and knee-high boots inject contemporary defiance. The absence of jewelry and the monochrome palette keep the look focused and intentional. The backdrop—featuring vintage illustrations and old-world typography—creates a visual dialogue with the outfit, amplifying its historical references while highlighting its modern reinterpretation. Jimenez’s confident stance and minimal styling suggest a deliberate rejection of excess, favoring silhouette and texture over embellishment.
Elena Rose wore a white lace corset outfit with thigh-high boots during her Alma Tour performance in Miami Beach on November 28, 2025.
On November 28, 2025, Elena Rose took the stage at The Fillmore in Miami Beach for the opening night of her Alma Tour , wearing a white corset-style outfit with lace detailing and ruffled accents, paired with thigh-high boots. Her platinum blonde hair flowed freely as she gripped a gold microphone, delivering a performance that fused vocal power with visual drama.
Judith Fernandez wore a white satin gown with lace detailing at the Las Hijas De La Criada premiere in Madrid.
On November 27, 2025, Judith Fernandez attended the premiere of Las Hijas De La Criada at Callao Cinema in Madrid, wearing a long white satin gown with a draped silhouette and lace detailing across the bodice. The look, set against a promotional wall for the production, delivered a moment of classic red carpet elegance.
The gown’s satin fabric catches light with a liquid sheen, emphasizing its sculptural drape and floor-length fluidity. The lace bodice introduces romantic texture, softening the gown’s architectural lines. The absence of visible jewelry allows the fabric and cut to dominate, while the styling—hair pulled back, makeup kept neutral—reinforces the gown’s quiet authority. This is not a look built for spectacle; it’s built for resonance. The contrast between the gown’s softness and the bold promotional backdrop creates a visual tension that elevates the moment beyond mere appearance.
