Sara Luna Canola’s black gown at the A House of Dynamite premiere was pure red carpet classicism—elegant, unfussy, and delivered with a smile that lit up the Lido.
In a festival known for its fashion theatrics, Sara Luna Canola’s appearance at the A House of Dynamite premiere during the 82nd Venice International Film Festival was a welcome dose of timeless glamour. No gimmicks. No over-styling. Just a woman in a black gown who knew exactly how to wear it.
Canola’s gown was long, sleeveless, and cut with a clean, elongating silhouette. The fabric—likely silk or crepe—moved with subtle weight, catching the light without flash. The neckline was modest, the fit tailored, and the overall effect was one of quiet confidence. It was the kind of dress that doesn’t need embellishment because the wearer brings the sparkle.
At The Smashing Machine premiere, Iryna Zhuravska’s off-the-shoulder gown fused gothic romance with floral restraint—think midnight garden meets red carpet poise.
There’s a kind of fashion that doesn’t scream—it murmurs, seduces, and stays with you long after the flashbulbs fade. On September 1st, 2025, Iryna Zhuravska stepped onto the red carpet at the Venice premiere of The Smashing Machine with a look that felt like a whispered spell. It was dark. It was romantic. And it was entirely her own.
Zhuravska wore an off-the-shoulder black gown with a flared skirt that moved like ink in water. The hemline was adorned with deep red floral embellishments—subtle, textured, and strategically placed to evoke a sense of blooming from shadow. The bodice was fitted, sculpting her frame with quiet precision, while the neckline exposed her shoulders in a way that felt both regal and relaxed. The fabric appeared to be a structured satin or taffeta, holding shape without stiffness.
Iryna Zhuravska didn’t just wear florals—she weaponized them in noir. For more red carpet looks that balance fantasy with finesse, explore our archive of celebrity style .
Ester Expósito gave the black carpet a playful twist—her blue-and-white checkered co-ord at the El Talento photocall was part Brigitte Bardot, part Gen-Z power move.
Some outfits flirt with nostalgia. Others remix it. At the El Talento photocall in Madrid on September 1st, 2025, Ester Expósito arrived in a look that did both—effortlessly. While others leaned into tailored neutrals and safe silhouettes, Expósito chose gingham and attitude. And it worked.
She wore a cropped shirt and matching mini skirt in a blue-and-white checkered print—classic gingham, but with a modern cut. The shirt, fitted and slightly boxy, hit just above the waist, revealing a sliver of midriff. The skirt was short, structured, and clean-lined, giving the look a youthful edge without tipping into cliché. The fabric appeared lightweight, possibly cotton or a cotton-blend, with just enough stiffness to hold shape under the flashbulbs.
Ester Expósito didn’t just wear gingham—she gave it a new chapter. For more looks that blend classic motifs with modern flair, explore our archive of celebrity style .
