Sarah Jeffery attended The Hollywood Reporter and Spotify’s Golden Week Nominees Night in Los Angeles on January 8, 2026, wearing a sparkly black dress.
Los Angeles, January 8. Sarah Jeffery on the black carpet, backdrop alive with Spotify logos and floral arrangements. A sparkly black dress, thin straps, fitted bodice. Black heels steady, posture calm.
Her look: simple but sharp. The dress caught light, shimmer subtle, not loud. Hair neat, makeup balanced, presence steady. The outfit leaned into restraint, sparkle without excess.
Sarah Jeffery wore a strapless printed column dress and gold heeled sandals on the People We Meet On Vacation premiere in January 2026.
Sarah Jeffery arrived at the Los Angeles premiere of Netflix’s People We Meet On Vacation on January 6, 2026, for a celebrity red carpet moment that’s more grounded than fussy.
She’s in a strapless, body-hugging long dress—column shape, straight down, no sleeves, no straps to hide behind. The base reads deep plum, almost black in spots, with oversized orange floral shapes drifting across it. Not tiny ditsy flowers. Big ones. Graphic, a little blotchy at the edges, like ink that decided to bloom.
Accessories stay quiet. Small gold hoops. A thin, delicate necklace. Gold open-toe heeled sandals. Hair is worn long and side-parted, brushed smooth and loose, with makeup that looks soft and practical—pink-ish lip, clean skin, defined eyes.
The dress works best when you read it as a graphic poster: dark ground, orange flare, clean neckline. Simple. The gold shoes are a good call too—warm metal, not another heavy black element dragging the look down. Still, the color story gets a bit tricky against the very orange premiere wall; the print can blur into its surroundings, like two loud conversations happening at the same table. And strapless silhouettes always demand immaculate structure—here it looks mostly steady, but the overall effect is more “sleek and easy” than precision engineering.
It’s a solid piece of red carpet fashion, not overloaded, not precious. Just a dress with a mood, and the nerve to keep the rest quiet—like she’d rather get on with the night than pose forever.
Emma Roberts wore a strapless white mini dress with a black leather jacket on The Chronology of Water LA premiere in January 2026.
Emma Roberts attended the Los Angeles premiere of The Chronology of Water at 2220 Arts + Archive on January 08, 2026—one of those celebrity red carpet nights where people still look like themselves. She went simple. A strapless white mini dress with a lace band across the bust, then more little lace at the hem. The fabric reads slightly crumpled, not tragic, just real. Over it: a black leather jacket, worn open and a bit roomy, sleeves pushed into that soft bunching at the wrists.
She finished with sheer black tights and black pointed-toe pumps. Gold hoop earrings, medium size, warm against the cool whites and blacks. Hair: long, blonde, side-parted, loose and tidy without being precious.
