Sarah Pidgeon wore an embellished low-cut gown with a feathered hem to the FX premiere of Love Story at Carnegie Hall on February 3, 2026.
At the FX premiere of Love Story: John F. Kennedy Jr. & Carolyn Bessette on February 3, 2026 , hosted at Carnegie Hall in New York , Sarah Pidgeon stepped out in a look that leaned hard into retro drama. The dress—deep neckline, no straps, all ease—sat almost weightless on top and full-flare fantasy down below. Diamond-shaped metallic beading cut sharp across the black base like 1920s wallpaper gone luxe. But then, the twist: the entire bottom half, feathered. Not just trimmed— engulfed . Pillowy, iceberg mint plumes you could lose your shoes in.
At the center, a neat black bow held where bodice meets torso, softening the plunge and giving the whole look this weird, sweet tension. From party girl to couture bird.
No necklace. Smart move. The detailing up top did the work. Hair? Blunt parted, pin-straight, and styled to not compete—a good baseline for something this textured. Her makeup? Dewy flush, classic lip, brows that stayed calm.
This wasn’t a red carpet fashion moment screaming to trend. It was the kind of throwback-glamour-meets-weird silhouette that doesn’t ask for attention—it just gets remembered.
Kiersey Clemons wore a ruched high-neck dress and plum-toned pumps to Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day in Santa Monica , held on February 3, 2026 , Kiersey Clemons showed up in something that didn’t ignore the moment—but didn’t cling to it either. A midnight black ruched dress , high-collared and cap-sleeved, with graceful folds cinching from neck to hem. Not overly tight. Just close, like a thought that won’t quite let go. You get the sense it moved well in real life—not stiff, not clingy. Something in between.
The dress hits just above the knees, keeping proportions classic but not stale. The skirt floats out slightly, not flared, but enough to keep the shape organic. Paired with matte plum heels , pointed and dark enough to feel grounded, without trying to match too exactly. Smart. Subtle.
Her hair? Loose curls pulled to the side, soft around the face. The makeup stayed warm—soft pink lips, slightly glowing cheekbones, no graphic lines or bold lip drama. It didn’t need more.
And that’s the whole feel here. It’s quiet composure. A dress that works because she does nothing to force it.
Jessica Biel wore a sheer Simkhai top and wide-leg leather pants to the Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026 , Jessica Biel didn’t choose something loud. She chose something layered—quiet tension dressed in near-transparency and thick grainy leather. The top? Simkhai’s Feyre —a gauzy black organza shell that floats above a strappy tank, gathered tight at the neck and letting the shoulders play loose. It looks like it breathes on its own. Doesn’t cling. Doesn’t care to.
The Simkhai Waldon Pants underneath ground everything. Deep espresso brown leather with a true-matte finish. No shine. No croc texture. Just leather, wide through the leg, pooling just enough at her black pointed-toe shoes to say she doesn’t need precise hemming to pull something off. Five-pocket styling. Belt loops still visible. Very intentional unpolish.
Jewelry? Minimal. No necklace—would’ve fought the collar. Simple rings. Hair loose, softly waved. Makeup neutral, but skin-forward. You get the sense her glam team knew the lighting in this room wouldn’t be forgiving—and styled based on reality , not fantasy.
This wasn’t a look for the back row or the post-roundtable photoset. It was for showing up and being looked at. No commentary needed.
