Sarah Shahi wore a black embellished crop top and matching scalloped skirt with silver platform shoes at the 31st Annual Critics Choice Awards in Santa Monica 2026.
Santa Monica, January 4th. Step‑and‑repeat logos behind — FIJI, milagro, Critics Choice Awards stamped across the backdrop. Sarah Shahi walked into that frame in a look that felt sharp but grounded.
Black outfit, two‑piece. Long‑sleeved crop top, silver embellishments scattered across the fabric. Matching skirt, floor‑length, scalloped pattern running down, catching light in fragments. Hair long, wavy, loose. Shoes visible — silver platforms, heavy but steady.
Cassidy Freeman wore a sleeveless burgundy gown with a draped neckline at the 31st Annual Critics Choice Awards in Santa Monica on January 4, 2026.
Santa Monica, January 4th. The carpet lined with logos — FIJI, milagro, Critics Choice Awards stamped across the backdrop. Cassidy Freeman stepped into that frame in a gown that felt steady, almost quiet.
Dark burgundy, sleeveless, floor‑length. The neckline draped, fabric folding softly across the chest. The dress fell straight, no heavy embellishment, no sequins. Shoes hidden, jewelry not obvious. Hair loose, wavy, framing the look without fuss.
Lyna Khoudri wore an off shoulder white buttoned top with matching high waisted bottoms on the Marie Claire Arabia January 2026 cover.
On the January 2026 cover of Marie Claire Arabia , Lyna Khoudri stands in a bright room, half in the doorway, half by a tall window. She wears an off-shoulder white buttoned top that drapes across her collarbone, paired with matching high‑waisted pleated bottoms cinched by a belt. The fabric looks soft with a mild sheen; the buttons catch the light without shouting. Her right arm is raised, resting against the frame, stacked with a few gold bangles; the other arm drops more casually, hand at her hip. Hair is loose and straight with a small wave at the ends, makeup kept light—glossy lips, a bit of warmth on the cheeks. It is a quiet take on celebrity style , almost like a still from a pause rather than a big pose, which is exactly why this photoshoot feels believable.
