Sasha Pieterse wore a sheer nude Etro dress with black paisley prints and strappy heels at the Netflix premiere in Los Angeles on Tuesday.
Sasha Pieterse arrived at the Egyptian Theatre on Tuesday, standing against a wall of aggressive Netflix orange that threatened to swallow anyone wearing a subtle color. Pieterse, wisely, chose not to be subtle. She wore a sheer, floor-length sheath by Etro, a garment that functioned less like a dress and more like a full-body tattoo. The mesh fabric was nude, clinging to the skin, while the pattern—a frantic, inky black paisley—swirled from neck to hem. If you squinted, or even if you didn’t, the brand’s name “ETRO” was visible, woven brazenly into the print across her chest like a luxury name tag.
Irene Choi attended HBO Max’s The Pitt premiere at DGA Theater in Los Angeles on January 7, 2026, wearing a shimmering brown gown.
Los Angeles, January 7. Irene Choi on the carpet, hands clasped, posture steady. A long gown, shimmering brown, sheer elements catching the light. Sleeves extended, neckline asymmetrical, cut unusual but deliberate.
Her look: not loud, not overworked. Fabric glints under the spotlight, but the design leans into restraint. Hair neat, makeup soft, the whole presence balanced. No fuss, no excess. Just a gown that moves between subtle shimmer and quiet structure.
Amanda Seyfried wore a black Rodarte Velvet & Lace Midi-Dress with Tiffany & Co. jewelry at the Golden Eve event on Tuesday.
Amanda Seyfried arrived at the Beverly Hilton on Tuesday looking like she was haunting the venue rather than simply attending a party. Amidst the gold branding and forced smiles of the “Golden Eve” celebration, she stood in the Rodarte Velvet & Lace Midi-Dress , a garment that feels heavy just looking at it. It is deep, light-absorbing velvet, intersected by a panel of aggressive white lace that climbs the chest and traps the neck like ivy. It’s a severe choice, cutting through the typical noise of red carpet fashion with the silence of a Victorian portrait.
