Scarlett Johansson’s Emmys return wasn’t just a glamorous fashion moment—it was a definitive statement in a soft, butter-yellow gown that signaled her polished new era on the red carpet.
The 77th Primetime Emmy Awards saw Scarlett Johansson channel an effortless, almost ethereal elegance in a custom Prada gown that felt both timeless and utterly of the moment. The dress, a strapless column silhouette, was crafted from a delicate silk-chiffon and crepe blend. Its subtly ruched texture across the bodice and hips created a sense of soft structure, making the fabric appear to be draped rather than simply worn. It’s a classic silhouette, yet its simplicity speaks volumes, allowing Johansson’s natural poise to take center stage. This isn’t the flamboyant, attention-grabbing look of an ingenue, but the confident, refined style of a seasoned A-lister.
The entire ensemble was a masterclass in minimalist sophistication. Johansson paired the gown with De Beers Talisman Cocktail Earrings in yellow gold, the cascading lines of the jewelry echoing the verticality of her dress. On her feet, Prada Silver Metallic Platform Sandals provided a subtle, modern edge. Her styling was just as intentional—her blonde hair worn down in a relaxed, straight style, and her makeup kept minimal with a focus on a luminous glow. The look conveyed an understated power, proving that true glamour isn’t about being the loudest in the room, but the most assured.
A whisper of linen, sunlit skin, and off-duty charm—Anastasia Karanikolaou channels quiet luxury at Sydney Carlson’s Los Angeles garden fête.
There’s something quietly radical about showing up to a fashion-forward luncheon in a look that whispers instead of shouts. Anastasia Karanikolaou did just that at Sydney Carlson’s “For Love & Lemons x Lynnee” Luncheon in Los Angeles, where she embodied the kind of effortless style that feels both intimate and editorial.
Her white crop top—sleeveless, ribbed, and fitted—offered a clean canvas for the soft cream skirt that followed. The skirt, appearing to be crafted from a linen or cotton blend, skimmed mid-thigh with an A-line silhouette that nodded to 1960s California ease. No visible jewelry, no statement bag—just the kind of restraint that speaks volumes in a maximalist era.
The garden setting, lush with hydrangeas and dappled sunlight, framed Anastasia in a tableau that felt lifted from a Sofia Coppola film—think Marie Antoinette meets Laurel Canyon. Her pose, relaxed and slightly angled toward her companion, suggested comfort over performance. And that’s the point: this wasn’t a red carpet moment, it was a mood.
Hair fell in soft, center-parted waves, and makeup leaned into the “clean girl” aesthetic—dewy skin, nude lips, and barely-there eye definition. It’s a look that doesn’t beg for attention but earns it through cohesion and clarity.
In a season where quiet luxury is more than a buzzword—it’s a cultural reset—Karanikolaou’s appearance felt like a masterclass in knowing when to dial it down. The absence of overt branding, the tactile softness of her outfit, the natural styling—all of it reads as intentional, not incidental.
Could this be the new blueprint for celebrity fashion? One where mood trumps logos and intimacy outshines spectacle?
Explore more looks that define the moment in celebrity fashion .
Adwoa Aboah brought a sultry edge to London’s fashion elite—her noir lace mini and crimson heels whispered of cabaret glamour (with a punkish wink).
Adwoa Aboah knows how to make a red carpet moment feel like a cultural mic drop. At the ELLE Style Awards 2025, held at Brasserie Zedel in London, she arrived not just dressed—but styled to provoke.
Her look centered on a black lace mini dress, cut with precision to reveal and conceal in equal measure. The spaghetti straps and abbreviated hemline evoked a 90s Kate Moss-meets-Bettie Page sensibility, while the sheer floral lace added a tactile tension—delicate yet daring. The silhouette was lean and unfussy, allowing the texture to speak volumes.
She paired the dress with red open-toe heels, a choice that felt both intentional and instinctive. The pop of crimson against noir lace recalled the visual language of Helmut Newton’s photography—sensual, graphic, unapologetically feminine. No visible jewelry or handbag competed for attention, suggesting a styling ethos of minimal interference: let the dress and the woman do the talking.
Hair and makeup details remain elusive in the image, but the overall styling suggests restraint—perhaps a slicked-back bun or natural texture, paired with a bold lip to echo the shoes. Whatever the case, the cohesion between garment, attitude, and setting was unmistakable.
