Selena Gomez wore a long black coat with dark trousers and Louis Vuitton ankle boots on November 18, 2025, in Santa Monica.

On November 18, 2025 , Selena Gomez was photographed leaving Giorgio Baldi in Santa Monica , later attending the Tame Impala concert , wearing a look that fused celebrity photoshoot-coded tonal restraint with fashion spread-coded silhouette clarity . The ensemble, captured in a candid nighttime moment, reads as quietly composed — a study in styled shoot-coded urban minimalism .

Gomez wore a long black coat with a relaxed drape, layered over dark trousers and paired with black shoes . The coat’s length and structure evoke studio portrait-coded architectural softness , while the monochrome palette signals a deliberate retreat from spectacle. Her gesture — one hand placed across the chest, gaze lowered — reinforces the image’s beauty shot-coded emotional realism , where presence is expressed through posture, not performance.

She carried a black handbag , understated and functional, and completed the look with the Louis Vuitton LV Beaubourg ankle boots , a detail confirmed by context. The boots anchor the silhouette in high fashion-coded grounding logic , where luxury is embedded in restraint.

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Selena Gomez wore a long black coat over a white top with Louis Vuitton ankle boots on November 17, 2025.

On November 17, 2025 , Selena Gomez was seen arriving at the Tame Impala concert in Inglewood, California , wearing a look that fused celebrity street style-coded tonal restraint with model off-duty-coded silhouette clarity . Captured descending a staircase in a candid nighttime moment, Gomez’s ensemble reads as quietly composed — a study in urban fashion-coded transitional layering .

She wore a long black coat , relaxed in structure and draped open to reveal a white top , paired with dark trousers and Louis Vuitton LV Beaubourg ankle boots . The coat’s length and fluidity evoke casual chic-coded architectural softness , while the white top introduces a note of paparazzi style-coded tonal contrast .

In her left arm, she carried a black leather jacket , suggesting a layered logic that balances effortless style-coded practicality with chic streetwear-coded editorial rhythm . Her hair was pulled back, and her expression — a downward glance with a slight smile — reinforced the image’s celebrity spotted-coded emotional realism , where presence is expressed through gesture, not spectacle.

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Normani stars in Shein’s 2025 ‘NORMANI’ collection campaign, showcasing three distinct editorial looks that fuse sculptural fashion with cinematic streetwear clarity.

For the 2025 Shein ‘NORMANI’ collection , Normani delivers a multi-look editorial moment that fuses celebrity photoshoot-coded tonal drama with fashion spread-coded silhouette experimentation . Captured across three distinct compositions, the campaign reframes Normani’s presence through texture, posture, and urban abstraction — a fusion of styled shoot-coded sculptural fluency and beauty shot-coded emotional control .

In one standout look, Normani poses beside a vintage green muscle car with white racing stripes, wearing a luxurious long brown fur coat , patterned tights , and high heels , accessorized with large earrings and oversized sunglasses . The composition evokes studio portrait-coded cinematic tension , where glamour is embedded in grit and movement.

Another look features Normani in a black long-sleeve crop top with a dramatic train , high-waisted shorts , and knee-high heeled boots , styled with large hoop earrings , multiple rings , and oversized sunglasses . The pose — one leg bent, one extended — channels fashion photoshoot-coded futuristic elegance , where the body becomes a sculptural element in the editorial narrative.

In a third composition, Normani wears a long belted gray coat with a high slit , revealing black sheer tights and knee-high pointed-toe stiletto boots , paired with black leather gloves and silver bangles . The lighting and pose suggest beauty shot-coded motion fluency , where elegance is expressed through gesture and contrast.

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