Selena Gomez wore a black satin Magda Butrym blazer dress with sheer tights and heels to celebrate Rare Beauty’s Ulta launch on January 31, 2026.
At the official Rare Beauty x Ulta launch event in El Segundo, California, on January 31, 2026, Selena Gomez didn’t treat the red carpet like just another press stop — she owned it. Posing against a berry-toned backdrop that screamed product launch chic, she wore a black satin blazer dress by Magda Butrym , cut with sharp shoulders, a nipped-in waist, and one sculptural flourish: an oversized floral appliqué blooming from her hip like a silent punctuation mark.
The dress balanced structure and softness — tailored like a power suit, but styled as a party piece. Sheer black tights kept the visual line clean while adding just enough texture. Black pointed pumps with gold embellishment grounded the look, offering a wink of shine without stealing attention.
The whole thing worked like a meta-statement — beauty brand founder showing up in a look that says “editor-in-chief after hours.” No flashy branding. No literal makeup tie-ins. Just confidence shaped into satin folds. Hair worn dead straight , center-parted, anchored the overall symmetry. And because it’s a Rare Beauty event, the makeup? Obviously on point — sculpted skin, soft neutral blush, classic nude gloss, and a smudged cat eye sharp enough to sign a licensing deal.
You could call it press event style or chalk it up to front row fashion , but these are technical labels. What Selena wore was more precise than promotion — the look of a woman threading legacy through product, platform, and presence.
Chloe Bailey wore a halter-style black gown with sheer textured panels to the 68th GRAMMY Awards Pre-GRAMMY Gala in Beverly Hills in 2026.
At the 68th GRAMMY Awards Pre-GRAMMY Gala and Salute to Industry Icons in Beverly Hills on January 31, Chloe Bailey didn’t need declarations or excess to steal the moment. She walked in wearing a look that relied on stretch, sculpt, shadow — and her own impossible composure.
The dress: a black halter gown that read like sculpture in motion. Ribbed texture throughout, cut on multiple angles, hugging hip and bust with different levels of tension. It wrapped sharply at the neck before crashing into a deep, jagged neckline , almost shredded at the center like it had survived something. Sheer paneling played tricks on the eye — the kind that makes you double-take, not because it’s revealing, but because the textile is too precise.
It was a fashion moment with muscle — strategic, not just sexy.
The styling? Strong and simple. Pointed black stilettos , no excessive shine. Small earrings, pulled-back hair, warm-toned makeup with a smoky eye and a bare lip. The balance leaned inward — expression over overt styling.
And her posture gave it context: shoulders back, one hand relaxed at the side, the other barely brushing her hip. Not posing. Placing. Owning.
The moment wasn’t louder than the look — it didn’t have to be. This was a red carpet built around restraint, performed with sharpness.
Tyla wore a plunging black cut-out gown with Jacob & Co. jewelry to the 68th GRAMMY Awards Pre-GRAMMY Gala in Beverly Hills in 2026.
At the 68th GRAMMY Awards Pre-GRAMMY Gala & Industry Salute in Beverly Hills on January 31, Tyla made clear that the warm-up to Grammy night could carry just as much heat. The South African star, fresh off a nomination for Best African Music Performance, arrived in a look that didn’t so much whisper confidence as cut it straight across the silhouette.
She wore a plunging black gown with deep cut-outs running along the sides and hips, stitched together mostly by intention. The neckline plunged fully, looping around the neck and leaving the mid-torso entirely bare. No fabric on the sides. Just skin, structure, and frankly — gravity-defying design. From the waist, the skirt fell in a soft and slinky drape, hiding nothing but moving clean. A slim black belt, almost an afterthought, cinched the midpoint with quiet precision.
Then came the finish — Jacob & Co.’s Ashoka Cut Diamond and Paraiba earrings , drops that caught the light without competing with the dress’s geometry. On the wrist, a pink sapphire and diamond boutique watch from the same house. Not showy. Just sharp.
Her neon chrome yellow nails? Reckless in the best possible way. Irreverent. The kind of detail that breaks a look out of the editorial and into personality . Hair left long and brushed through at the ends. Makeup just a single flick of liner and weightless skin.
The look wasn’t loud — but it didn’t blink either. This was Tyla knowing exactly what moment she’s walking into, and what it takes to own one.
