Selena Gomez wore a Susanna Chow shearling coat with a Valentino bag and glossy hair bun in her Instagram Story on February 2, 2026.
In a quiet but effective Instagram Story from February 2nd, 2026, Selena Gomez gave us a look that felt more cinematic than social. No filter frenzy, no overly rehearsed lighting. Just a mirror. A moment. A coat.
The star of the frame? That voluminous black shearling coat , confirmed as the Dorothy by Susanna Chow —oversized, feathery, maximalist in texture but minimal in sharpness. It looks like it might swallow her whole—and she lets it.
Crossbody and slightly angled was her Valentino Vain VLogo top-handle bag , the gold logo barely catching the warm bathroom light. A rose in one hand. Phone in the other. Gold ring slipped onto her pointer finger. Her hair sleeked back into a tight bun , ears untouched by accessories, face bare except for a wash of berry gloss and gently defined brows. Clean. Easy. Like she’s done this a thousand times and doesn’t need to prove it.
The whole thing feels like stolen luxury. Like getting dressed to go somewhere and staying right where you are. One rose, two textures, and a mirror—no words necessary.
Halle and Chloe Bailey wore all-black, asymmetric looks with metallic embellishments at a Grammy Week celebration in Los Angeles on January 30, 2026.
At Kaytranada and PinkPantheress’s Grammy Week party on January 30th, 2026, Halle Bailey and Chloe Bailey reminded everyone you can dress in black and still burn the frame out.
Look 1: Halle Bailey – Easy Killer in Sequins
Halle’s look was wild in a whisper. A black sequin halter dress , soft in structure but cut to cling. The top half slung diagonally across the neckline, almost ballerina-like, then dropped low in the back. It caught just enough shoulder. The fabric shimmered under moving light—never too glossy, only enough to suggest intention.
Hair swept back into a mid-length press with gentle wave at the ends. Her makeup leaned to subtle play: soft pink lid, flutter lashes, cool-gloss mouth. The contrast created space. She didn’t dress to dominate the room, just to reroute its energy for a minute.
Look 2: Chloe Bailey – Sculptural Energy in Black
Chloe went heavier, but cleaner. Ruched jet-black gown with hard architectural tension. The neckline curved semi-off-shoulder and double-wrapped up the collarbone, creating a keyhole frame chest-down, anchored by a tight cluster of metal-set gem rings that slid into place like armor. The slit ran up, but not chaotic—it gave stretch, not drama.
Her hair was braided back into tight rows up top, conditioned slick, the rest pulled into a bundle. Hoop earrings, silver shoulder hardware, sharp brow sculpting—all landing where they needed to, and nowhere extra.
This event appearance wasn’t about matching; it was about mirrored heat. Two sides of the same fire—one soft, one striking—and neither waiting to be introduced.
Liamani Segura wore an embellished mini dress with matching boots on the red carpet at Universal Music Group’s Grammy After Party on February 1, 2026.
At Universal Music Group’s 2026 Grammy after party in West Hollywood, Liamani Segura leaned into full-color confidence—and she didn’t hold back. Her mini dress , done in a saturated pink and navy brocade , was embroidered from top to hem in gemstone appliqués, metallic scrollwork, and intricate baroque failings that would’ve swallowed a quieter look entirely.
But this wasn’t built for “quiet.” The silhouette was simple— boxy shoulders, sculpted waist, sharp hem —letting the texture go wild while the structure held tight. The neckline stayed modest with capped sleeves and no plunge. Her legs? Fully visible and booted , in matching knee-high fabric boots that locked the print in from head to toe like exclamation points on legs.
Hair swept up in a high updo, with a soft wave curled loose around one side. Her makeup stayed within the outfit’s playbook: rich berry lipstick, flushed cheek, pink shimmer on the lid to highlight the gems without competing with them.
It was the kind of look that doesn’t dress for the flash—it builds its own damn lighting. Like she walked out on the red carpet carrying her own chandelier.
