Selena Gomez channels a high-gloss femme fatale—decked in gold and perched atop a house of cards—for Hulu’s latest Only Murders promo, and it’s anything but subtle.
Selena Gomez doesn’t just promote a show—she architects a mood. For the August 2025 campaign teasing Only Murders in the Building Season 5, the multi-hyphenate star appears in a visual that’s part fashion editorial, part cinematic hallucination. Think: Hitchcock heroine meets Vegas showgirl, with a dash of art deco noir.
The image is arresting. Gomez sits atop a precarious tower of oversized playing cards, legs crossed, gaze locked, attitude dialed to “unbothered empress.” The backdrop—a stylized cityscape bathed in golden geometry—feels lifted from a Baz Luhrmann fever dream. It’s promo, yes, but also performance.
Her look? A Retrofête Aura Dress in gleaming gold lamé, sculpted to hug every curve with unapologetic precision. The fabric catches light like liquid metal, while the silhouette—structured shoulders, cinched waist, abbreviated hem—evokes disco-era glam with a modern edge. It’s a dress that doesn’t whisper. It roars.
On her feet: Betsey Johnson’s Mya Pumps in a punchy pink satin, adding a playful contrast to the gilded drama above. The choice is clever—unexpected, irreverent, and totally on-brand for Gomez, who’s long mastered the art of mixing high fashion with pop whimsy. Jewelry is minimal, if present at all, letting the metallic dress and candy-colored heels do the heavy lifting.
So, is Selena Gomez redefining the rules of promotional fashion—or simply reminding us that she’s always played the game better than most? Either way, this look earns its place in the canon of celebrity style moments that blur the line between costume and couture.
Keeley Hazell pivots from screen to style icon, baring a minimalist androgyny and playful vintage prints in a series of new, striking portraits—a compelling study in unvarnished chic.
In a new series of portraits for Numéro Netherlands , shot by Guy Lowndes, Keeley Hazell presents a fresh take on her signature style—one that fuses classic, minimalist silhouettes with a hint of rebellious charm. The fashion isn’t about extravagance or trends; it’s about the kind of effortless cool you find in a vintage snapshot, a style that just is . This shoot gives us a glimpse into a new direction for celebrity style , prioritizing personality over perfection.
The shoot showcases a range of distinct looks, each a testament to Hazell’s versatile appeal. In one standout shot, she pairs a crisp, oversized white button-down shirt with high-waisted, pleated black trousers. The shirt is unbuttoned to reveal a simple black bra, creating a powerful, androgynous silhouette that is both daring and refined. The wide leather belt with its statement buckle cinches the look, lending a polished, almost rock-and-roll edge. Another image sees her in a playful, patterned slip dress with a paisley or bandana-like print in red and blue tones. The fabric is a light, fluid silk or satin, and the dress features a soft cowl neckline, creating a nostalgic, late-90s feel. The look is a bold, bohemian moment that feels both whimsical and raw.
A third look features a brown plaid collared shirt with a cropped, zip-front silhouette, paired with dark blue pleated pants. The most eye-catching detail here is the flash of a yellow-and-black Hugo Boss waistband peaking out, a subtle nod to the logo-mania trend that feels perfectly balanced with the otherwise understated outfit. The final shot is a study in laid-back elegance, with Hazell wearing a classic white ribbed tank top and dark, low-slung trousers, anchored by a sleek pair of tortoiseshell sunglasses. The simplicity of the outfit allows her confident pose and the texture of the fabric to take center stage.
In a duo that promises to redefine the psychological thriller, Mary Elizabeth Winstead and Maika Monroe give us a first look at their unsettling dynamic in The Hand That Rocks the Cradle remake—a masterclass in quiet, chilling tension.
In a genre often defined by dramatic reveals and visceral scares, the upcoming remake of The Hand That Rocks the Cradle seems to be taking a more subtle, deeply psychological approach. The exclusive celebrity photos from the set offer a fascinating glimpse into the new film’s aesthetic—one that is both a stylish, contemporary update and a chillingly realistic descent into domestic horror. The real story here isn’t just the plot, but the fashion that tells it.
