Wrapped in white and wielding quiet power, Shailene Woodley brought cinematic softness—and a touch of diva mystique—to the Venice Film Festival’s Motor City photocall.
There’s a kind of glamour that doesn’t need sequins or sparkle—it simply arrives, swathed in texture and intent. At the “Motor City” photocall during the 82nd Venice International Film Festival on August 30, 2025, Shailene Woodley embodied that ethos with a look that felt both archival and futuristic. It was a moment of fashion restraint wrapped in theatrical volume.
Woodley wore a voluminous white faux fur coat layered over a flowing white dress with draped fabric that moved like smoke. The coat’s texture—thick, plush, and unapologetically oversized—added drama without veering into costume. The dress underneath was soft and sculptural, with a Grecian silhouette that skimmed the body and pooled gently at the hem. The monochrome palette amplified the impact, allowing the interplay of textures to take center stage. It was Celine Spring 2026, reimagined for a woman who doesn’t whisper when she walks.
The accessories were minimal but deliberate. Pointed-toe heels with a textured surface—possibly strass or embellished lambskin—peeked out from beneath the hem, adding a flash of edge to the otherwise ethereal ensemble. Woodley’s jewelry came courtesy of Bvlgari: the B.Zero1 ring stacked with Serpenti Viper pieces, and matching earrings that glinted like ice against the fur. The synergy between accessories and outfit was tight, but not over-styled—each piece felt like punctuation, not decoration.
For more moments where stars turn texture into statement, explore our archive of celebrity fashion .
In a duo that promises to redefine the psychological thriller, Mary Elizabeth Winstead and Maika Monroe give us a first look at their unsettling dynamic in The Hand That Rocks the Cradle remake—a masterclass in quiet, chilling tension.
In a genre often defined by dramatic reveals and visceral scares, the upcoming remake of The Hand That Rocks the Cradle seems to be taking a more subtle, deeply psychological approach. The exclusive celebrity photos from the set offer a fascinating glimpse into the new film’s aesthetic—one that is both a stylish, contemporary update and a chillingly realistic descent into domestic horror. The real story here isn’t just the plot, but the fashion that tells it.
Unveiling a new take on power dressing, Amanda Seyfried opts for soft pink suiting and comfy sneakers while arriving in Venice for the film festival—a masterclass in effortless glamour.
As the Venice International Film Festival kicks into high gear, the usual parade of theatrical gowns and dramatic silhouettes is always a given. But this year, it seems the celebrity fashion narrative is taking a refreshing turn toward something more relaxed, yet no less impactful. Case in point: Amanda Seyfried’s arrival in a look that’s both perfectly tailored and casually chic.
Seyfried’s ensemble is anchored by a structured, double-breasted blazer in a soft, dusty rose shade. The blazer features strong, pronounced shoulders that create a sharp silhouette, contrasting with the soft pastel color. Beneath it, she wears a ribbed knit set—a cropped camisole and matching shorts—that perfectly complements the blazer’s hue and adds a touch of subtle texture. The shorts, a playful alternative to trousers, give the look a modern, youthful edge.
The real genius lies in the footwear. Rather than heels, she grounds the outfit with a pair of simple, white lace-up sneakers, a choice that instantly elevates the ensemble from a typical “suit” into a piece of contemporary street style . She accessorizes with sleek, brown cat-eye sunglasses by Max Mara and a chic black Givenchy Lucrezia Travel Bag, which adds a polished contrast to the look’s softer elements.
The entire look is a study in controlled contradiction. The blazer’s formal structure and the shorts’ casual vibe; the soft pink tones and the crisp white sneakers. Her hair is kept simple and natural, flowing in loose, beachy waves that feel right at home on the canals of Venice. Her makeup is minimal, with a natural lip color and a fresh complexion, emphasizing an attitude of approachable confidence. It’s a look that says, “I’m here to work, but I’m doing it on my own terms.”
The result? A look that feels both aspirational and entirely achievable. It’s a powerful statement that you don’t need to sacrifice comfort for style, even on one of the world’s most glamorous stages.
