Never one to shy from a quiet but impactful look, Shailene Woodley unveiled a sleek, minimalist ensemble for a press stop at the Toronto Film Festival, proving that sometimes, less truly is more—especially when it comes to her always-chic approach to celebrity style.
Shailene Woodley’s approach to the red carpet and press circuit has always leaned into an understated, effortlessly cool vibe, and her latest appearance at the Toronto International Film Festival was no exception. Captured at the Deadline Studio, the actress presented a look that was a masterclass in tonal dressing and strategic proportion play.
The centerpiece of her outfit was a Max Mara Verna Camel Coat with a self-tie belt, worn cinched at the waist. She wore it as a dress, showcasing a striking silhouette that was both tailored and relaxed. The deep, olive green color of the coat added a rich, earthy dimension, its soft texture providing a sense of sophisticated comfort. The V-neckline gave the structured piece a feminine touch, and the oversized collar contributed to the coats dramatic appeal.
Woodley paired the coat with a simple, chic choice in footwear: Max Mara Mary Janes in Leather . These classic shoes added an element of preppy polish to the look, their high shine creating a subtle contrast against the matte texture of the coat. The ensemble was finished with a pair of Khaite x Oliver Peoples 1977C Sunglasses , which, along with her sleek, side-parted hairstyle, gave her a cool, almost mysterious aura. The sunglasses, with their rectangular shape and dark lenses, perfectly complemented her look, which she owned with a composed, confident pose.
Julia Butters debuts a whimsical, retro-futurist aesthetic in a new 1883 Magazine spread, effortlessly fusing nostalgic silhouettes with a modern (and very playful) edge.
Julia Butters, the young actress known for her scene-stealing roles, takes on a new persona in her latest fashion editorial for 1883 Magazine , lensed by photographer Ben Cope. The series of celebrity photos captures her in a variety of moods and styles, each look a testament to a confident, evolving sensibility that bridges the gap between old Hollywood glamour and contemporary cool.
In one shot, Butters channels a disco-meets-punk vibe, wearing a sleeveless, black mini dress adorned with an array of metallic discs that catch the light like a constellation of stars. The dress’s high-energy sparkle and playful silhouette are grounded by a pair of chunky, black patent Mary Jane-style shoes with bold buckles. In another image, she shifts to a more androgynous, structured look with an oversized red suit , the blazer slung casually off her shoulders to reveal a simple, black bandeau top. The pants are wide-legged, adding to the relaxed, modern feel of the outfit, while her pose—crouching down—lends a sense of quiet introspection.
At TIFF’s Variety Studio, Shailene Woodley leaned into quiet power—her belted Max Mara coat whispered restraint, but the sheer tights and Mary Janes said otherwise.
There’s a kind of fashion fluency that doesn’t shout—it murmurs, with precision. At the 2025 Toronto International Film Festival, Shailene Woodley arrived at the Variety Studio press event in a look that felt like a masterclass in tonal restraint and silhouette control. No embellishments, no theatrics—just a woman wrapped in the kind of confidence that doesn’t need punctuation.
Let’s start with the centerpiece: a dark olive belted coat from Max Mara, likely the Verna model , which draped her frame with sculptural intent. The fabric—structured yet fluid—held its shape without stiffness, cinched at the waist to create a subtle hourglass echo. It’s the kind of outerwear that doesn’t just warm the body, but anchors the entire look.
Beneath, sheer black tights added a whisper of edge, a nod to the kind of European street style that’s more about mood than exposure. Her footwear— Max Mara’s leather Mary Janes —grounded the ensemble with a vintage wink, their rounded toe and modest heel evoking a 1940s librarian who moonlights as a film noir heroine.
Accessories were minimal, almost monastic. No jewelry, no bag—just the quiet authority of the coat and the clean lines of her stance. The backdrop, stamped with TIFF’s sponsor logos, offered a corporate contrast to Woodley’s editorial poise.
Hair? Pulled back, unfussy. Makeup? Barely there, save for a hint of definition around the eyes. It’s a styling choice that speaks volumes: when the clothes carry this much intention, the face doesn’t need to compete.
This is the kind of celebrity style that doesn’t chase trends—it sets them.
STYLE CREDITS Max Mara Verna Camel Coat with Belt Max Mara Mary Janes in Leather (unconfirmed at press time: Khaite x Oliver Peoples 1977C Sunglasses )
