Shailene Woodley Unveils Dark Romance At “Motor City” Premiere

Shailene Woodley brought gothic glamour to the Toronto International Film Festival, proving that sometimes, the most striking statements are made in black—and a whole lot of attitude.

Woodley’s look at the Motor City premiere was a masterclass in moody sophistication . She wore a Dolce & Gabbana Fall 2025 dress , a plunging black satin mini adorned with intricate silver and crystal embroidery. The dress, with its deep V-neckline and fitted silhouette , hugged her frame, while the delicate beading caught the light with every movement, adding a touch of sparkle to the otherwise dark ensemble.

Her Dolce & Gabbana Lollo black satin pointed-toe pumps elongated her legs, their sleek design complementing the dress’s dramatic cut. The shoes, with their sharp, pointed toe , added an edge of modernity to the vintage-inspired gown.

Accessories were minimal but impactful: Khaite x Oliver Peoples 1978Rx sunglasses perched atop her head, a nod to the effortless cool of ‘70s icons. The sunglasses, with their retro-inspired frame , added a touch of nonchalance to the otherwise polished look.

Woodley’s styling was as deliberate as her outfit. Her long, wavy hair was left loose, framing her face with a soft, romantic touch. The smoky eye and nude lip kept the focus on her features, while a flush of blush added a hint of warmth to the otherwise monochromatic look.

Her pose— hands resting on her hips, shoulders back —radiated confidence, while the soft lighting of the red carpet cast a gentle glow, highlighting the dress’s intricate details and her natural beauty.

For more iconic red carpet moments, explore our gallery of the season’s most unforgettable looks.

Antonella Rose brought gothic academia to the opening night of Halloween Horror Nights at Universal Studios Hollywood—proving that spooky season is the perfect excuse to lean into drama, texture, and a whole lot of attitude.

Rose’s look was a masterclass in moody layering . She paired a black button-up shirt with a deep burgundy tie , creating a striking contrast against the shirt’s crisp fabric. The tie, knotted with precision, added a touch of academic rigor to the ensemble.

Her pleated burgundy mini skirt echoed the tie’s hue, creating a cohesive color story that felt both vintage and modern . The skirt’s structured pleats added movement, while the lace-up tights beneath introduced an element of gothic intrigue . The tights, with their intricate floral pattern , brought texture and depth to the look, making it feel layered in more ways than one.

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Her chunky black boots grounded the outfit, their laced-up design complementing the tights and adding a touch of punk edge . The boots’ sturdy silhouette balanced the femininity of the skirt, creating a look that was equal parts tough and delicate .

Rose’s accessories were deliberate and bold :

Stacked bracelets and rings that glinted under the event’s eerie lighting.
Glasses perched atop her head , a nod to the intellectual-meets-rebellious vibe of her outfit.
Nails painted in deep blue and red , adding a pop of color to the otherwise monochromatic palette.

Her pose— hands on hips, shoulders back —radiated confidence, while the red-lit backdrop of Universal Studios’ gothic arches cast an otherworldly glow. The setting, with its haunting ambiance , only amplified the drama of her look, making it feel like a scene straight out of a dark fairy tale.

So, is this the future of street style —where individuality reigns supreme, and the only rule is to break them all? If Rose’s look is any indication, the answer is a resounding yes.

Elizabeth Olsen brought cerebral edge to the Linwood Dunn Theater—her patterned velvet jacket and low-key glam felt more auteur than ingénue (and we’re not mad).

Elizabeth Olsen doesn’t just attend a screening—she curates an atmosphere. At the September 3, 2025 special showing of Bugonia at Los Angeles’ Linwood Dunn Theater, Olsen’s look was less red carpet razzle and more intellectual chic, channeling the kind of quiet power that lingers long after the flashbulbs fade.

Seated onstage with a microphone in hand and a rolled-up script or notebook resting casually on her lap, Olsen wore a geometric-patterned jacket in rich tones of red, brown, and black. The fabric—velvet or a similarly plush textile—caught the stage lighting with a subtle sheen, adding depth to the angular motif. The cut was relaxed but intentional, with a slightly boxy silhouette that nodded to 1970s academia without veering into costume.

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Paired with dark trousers and minimal accessories, the outfit spoke volumes through restraint. No statement jewelry, no towering heels—just a woman in command of her space. Her long brown hair, styled with soft bangs, framed her face with a kind of retro softness that balanced the graphic intensity of the jacket. Makeup was understated: likely a matte base, neutral lip, and light contouring that kept the focus on her expressive presence.

In a cultural landscape where celebrity fashion often leans toward spectacle, Olsen’s look felt like a quiet rebellion. It’s the kind of ensemble that doesn’t scream for attention but earns it through texture, tone, and timing. And while it may not be the kind of outfit that dominates celebrity photos feeds, it’s precisely the kind that fashion editors bookmark for future reference.