Shailene Woodley didn’t just attend the Motor City premiere at TIFF—she orchestrated a quiet coup in camel velvet, proving once again that understatement is the new spectacle (and that the rest of us should probably just surrender now).
There’s a particular kind of magic that happens when an actress known for her effortless, earthy charm steps into a look that’s equal parts architectural and inviting. At the Motor City press studio during the 2025 Toronto International Film Festival, Shailene Woodley did just that—transforming a simple staircase into a runway for what can only be described as a masterclass in modern minimalism.
The centerpiece? A Max Mara Verna Camel Coat with Belt , a piece so luxuriously understated it borders on subversive. The coat, draped in a sumptuous velvet fabric, wraps Woodley in a cocoon of warm camel—its rich texture catching the light like a whispered secret. The silhouette is deceptively simple: a structured collar, three-quarter sleeves, and a belted waist that cinches the look into something both polished and effortless. The coat’s mid-thigh length plays with proportion, offering a nod to the ’70s while feeling entirely of-the-moment.
Woodley’s styling choices are a lesson in restraint with impact. Her Max Mara Mary Janes in Leather —classic, pointed, and unadorned—elongate her frame and ground the look in timeless elegance. The shoes’ dark hue provides a stark contrast to the coat’s warmth, creating a visual rhythm that’s as pleasing as it is intentional. And then there’s the ring, a delicate gold band on her left hand, catching the light just enough to remind us that sometimes, less truly is more.
This isn’t just an outfit; it’s a statement. In an era where red carpet looks often veer toward the extravagant, Woodley’s choice to embrace quiet luxury is a refreshing pivot. The velvet coat, with its tactile richness, evokes a sense of nostalgia—harking back to the tactile glamour of Old Hollywood , while the clean lines and modern cut keep it firmly rooted in 2025. It’s a look that whispers rather than shouts, a rebellion against the noise of fast fashion and fleeting trends.
Jeri Ryan’s post-awards look was pure Y2K glamour—sequins, sheer layering, and gold accents that felt more club heiress than sci-fi icon (in the best way).
Before the red carpet became a battleground of haute couture one-upmanship, there was a moment—January 23, 2000 to be exact—when Jeri Ryan walked into the Golden Globe Awards afterparty in Beverly Hills and reminded everyone that elegance could still flirt with edge.
Her look? A deep burgundy ensemble that played with texture and transparency in all the right ways. The sleeveless top, sheer and sequined, caught the light like a disco ball in slow motion. It was sultry without being loud, and paired with matching burgundy pants, the silhouette felt tailored but relaxed—like a Studio 54 revival filtered through early-aughts minimalism.
Accessories were dialed in with precision. A small gold clutch added a metallic pop, echoed by her strappy gold high-heeled sandals—both choices that elevated the outfit without overpowering it. The synergy between the warm tones of her outfit and the gleam of her accessories was quietly masterful.
Elle Fanning trades red carpet theatrics for studio serenity—Chanel, Cartier, and a metallic Louboutin whispering quiet luxury at the Toronto Film Festival.
In a moment that felt more editorial than promotional, Elle Fanning appeared at The Hollywood Reporter’s portrait studio during the 2025 Toronto International Film Festival for Sentimental Value —and the fashion was anything but sentimental.
Fanning’s look was a masterclass in tonal layering and textural finesse. She wore a piece from Chanel Resort 2026, a collection already praised for its nostalgic futurism and soft rebellion. The silhouette was tailored yet fluid, with a muted palette that let the fabric speak: think silk crepe with a whisper of sheen, cut to skim rather than cling. It’s Chanel doing restraint, and Fanning wearing it with the kind of ease that only comes from years of red carpet fluency.
Her footwear added a flicker of drama— Christian Louboutin’s Miss Z Metallic Leather Pumps , which caught the studio lights like a flashbulb in motion. The silver tone didn’t scream; it shimmered. Paired with a Cartier 18 Karat White Gold Five Row Diamond Eternity Ring, the accessories leaned into quiet opulence. No bag, no earrings, no overstatement—just precision.
