Sharon Osbourne wore a sleek black gown with flared sleeves and an oversized crystal necklace at the 2026 Grammy Awards.
At the 68th Annual Grammy Awards on February 1, Sharon Osbourne made the case for unbothered clarity. She wore a pared-down yet calculated black long-sleeved gown , donning it with the kind of ease that needs no apology. The silhouette? Straight, ankle-grazing, with subtle tailoring through the torso and gently flared sleeves that framed her hands like punctuation marks.
But the quietness of the dress only made the necklace louder—an oversized crystal arrangement that almost looked armor-adjacent in its density. Stacked stones, maximal shimmer. It didn’t whisper statement; it barked it through clenched teeth (in a good way). The contrast between the slick black fabric and the aggressively icy jewelry worked. Against all odds.
Eyes hidden behind lightly tinted round sunglasses , as if to signal: thank you, I’m here, and no, I won’t blink. Her burnished red hair held tight structure in a tucked-under bob, and her lipstick tone matched—not exactly, but rhythmically. She wore a single bold black ring , big enough to catch light but not attention.
Shoes stayed hidden beneath the gown, and she made no attempt to flash them. Which added to the grounded energy of the whole look. It read like a woman fully aware of the circus, walking through it in silence.
The fashion verdict ? Barely moved—but never dulled. Osbourne let restraint do the talking, then decked her collarbone like a riot officer in rhinestones.
FKA Twigs wore a draped earth-toned gown and spiked red hair to the 2026 Grammy Awards after winning Best Dance/Electronic Album.
At the 68th Annual Grammy Awards , FKA Twigs hit the red carpet looking like she’d just stepped out of some forgotten myth. The dress? A distressed, layered skin of peach, chestnut, and singed-rose gauze —half unraveling, half sculptural—draped across her torso like wind-tossed bark, held in place by knotted cords and what looked like metallic insects perched along the seams.
The construction blended fragility with firmness. You could imagine it tearing if you blinked wrong… except it never did. The fabric hung unevenly in strips that floated behind her—ghost limbs with no weight. Her legs, visible through sheer panels, were sheathed in matching mesh tights that bore black tattoo-style roses , etched from ankle to upper thigh. The left leg bore a gore-ish flourish: a sculpted anthurium flower , blood-red and curling out from the dress like something growing, not attached.
None of this, though, could compete with her hair. A piercing, electric red , pulled into molded oxidation spikes reaching outward like flames crossing a wind tunnel. Between the peaks of fire, strands of slick braids coiled down her back, anchored with black binds and little charms. She didn’t accessorize much—maybe one silver cuff on her right forearm, a few rings, a weathered book-bound clutch clutched tight in one hand like she knew its secrets.
The whole thing wasn’t pretty. It was feral poetry . A little mad. A little transcendent. And deeply rooted in Twigs’s long-time obsession: the twisting of flesh and folklore into wearable performance.
The fashion verdict ? Not a look—an incantation. She wore ruin like a ritual and let it bloom.
Billie Eilish wore a black Hodakova multi-strap coat with accessories and socks over heels at the 2026 Grammy Awards red carpet.
At the 68th Annual Grammy Awards on February 1, Billie Eilish walked the red carpet as if she’d rebelled against it mid-step. She wore a look built more like a proposition than an outfit: part technical uniform , part art-school detour , and entirely Hodakova , straight from the Swedish brand’s Fall 2025 and Spring 2026 collections.
The key piece: a structured black coat-dress with wide lapels, covered partially by a crisp, short white capelet like something yanked off an academic robe. A tucked-in tie pinned tightly under the collar with a button badge (placement: surgical) made the top half feel clean, even authoritative—until the straps started multiplying. Thick, black leather harnesses wrapped around her arms, torso, and legs like she’d been cinched by a backstage technician. Some held shape. Some dangled loose.
And then came the footwear: pointed black heels , styled unapologetically over white ribbed socks that hit high on the calf like vintage gym gear. But the heels weren’t plain—each was pierced with a cluster of tiny metallic studs or faux pearls. Not delicate. Just…armor-adjacent.
Her hair fell sleek and center-parted, dead straight. No gloss, no bounce. Just intentional weight. Face? A single brow raise away from saying “I’m not here for applause.” Small hoop earrings and cleaned-up nails completed the look with a shrug.
This wasn’t about prettiness or even disruption—it was about discipline . Strict lines that flirt with chaos and win.
The fashion verdict ? Sublimely uncomfortable. Eilish delivers full-function fashion with tension folds and restraint buckled in.
