Shay Mitchell wore a white pleated asymmetrical dress at Alex Prager x The Cultivist dinner in Miami.
Shay Mitchell attended the Alex Prager x The Cultivist dinner during Art Basel in Miami on December 3, 2025, wearing a white pleated dress that fused architectural asymmetry with cinematic surrealism. The one-shoulder silhouette exposed her left arm, while the diagonal pleating created movement and sculptural tension. Her dark red clutch added tonal contrast, anchoring the look in saturated elegance.
The dress’s construction was deliberate — not just asymmetrical, but directional. The pleats radiated outward like a fan, echoing the miniature cityscape behind her. Mitchell’s high heels extended the verticality of the look, while her pose — centered, composed, slightly angled — reinforced the illusion of scale.
Billie Lourd wore Columbia’s Endor poncho in a forest shoot for the Star Wars collection campaign.
Billie Lourd posed in Columbia’s Star Wars Endor Collection campaign wearing a camouflage poncho that fused sci-fi nostalgia with outdoor utility. The loose-fitting poncho , cinched at the waist, featured gathered sleeves , a zippered front , and a camouflage palette of green, yellow, and beige — a direct nod to Endor’s forest terrain. Her gray pants and dark hiking shoes with green laces grounded the look in real-world function.
The styling was deliberate: no fantasy embellishments, no overt cosplay. Instead, Lourd’s outfit translated cinematic lore into wearable gear. The poncho’s silhouette echoed the rebel aesthetic — protective, mobile, and quietly tactical. The forest backdrop, with its towering trees and lush ferns, reinforced the narrative: this wasn’t just a celebrity photoshoot . It was a visual bridge between character and climate.
How does outdoor apparel shift when it’s styled to evoke a fictional universe?
Chloe Grace Moretz wore a patterned mini dress with tights at the Oh What Fun holiday premiere in NYC.
Chloe Grace Moretz attended the Oh What Fun holiday premiere at Alice Tully Hall in New York City on December 2, 2025, wearing a festive mini dress that fused seasonal whimsy with structured polish. The short patterned dress featured a tailored silhouette and graphic print, paired with black tights and black heels — a trio that balanced playfulness with urban edge.
The dress’s cut was crisp, with a high neckline and fitted bodice that gave the look architectural clarity. The tights added depth and contrast, anchoring the outfit against the backdrop of inflatable Santas, cartoon reindeer, and candy cane props. Moretz’s styling was minimal — no visible jewelry, no handbag — letting the dress carry the narrative.
- Does this look lean more toward holiday kitsch or editorial minimalism?
- How does fashion function when the event’s decor is louder than the outfit itself?
