Shay Mitchell wore Valentino Spring 2026 with a Small Devain Jacquard Shoulder Bag at the Paris Haute Couture Show in January 2026.
Shay Mitchell arrived at the Valentino Haute Couture Week Spring/Summer 2026 show in Paris on January 28, 2026, dressed like someone who understands that fashion week isn’t a red carpet—it’s a moving street-stage. Her outfit? A layered contradiction that shouldn’t have worked, yet somehow did. The green and gold sequin knit top was richly textured, feathered with light-catching shimmer that dripped downward into soft brownish-gold scallops. Paired with it: a matte taupe mesh-illusion skirt with long, sheer ribbon-like slits that danced around her knees like weighted fringe.
Charlotte Gainsbourg wore a belted taupe trench-style dress and black pumps at the Saint Laurent Menswear FW26-27 show in Paris.
Charlotte Gainsbourg showed up at the Saint Laurent Menswear Fall/Winter 2026–2027 show in Paris on January 27, 2026, looking like she’d just wandered in from the set of a post-apocalyptic noir film—in the best way possible. Her look, a trench-inspired dress in slick, taupe shell fabric , landed somewhere between performance art and dry sarcasm. Oversized tortoiseshell buttons ran down a pearlescent sheen, while the exaggerated volume in the sleeves met at a cinched waist, tied with an indifferent knot. A belt-optional mood , but belted anyway.
This was not tailoring made to flatter. It was built to reflect—literally. The fabric caught light like rain on asphalt, not shimmer. She paired it with black sheer tights and pointed patent pumps , anchoring the drapey chaos with flipped-down elegance. No jewels. No styling bells and whistles. Just a fuzzy tan clutch , half-crushed in one hand, and shadows moving across the columns behind her.
Dove Cameron wore a tailored black pantsuit and Bernini Custom Engagement Ring on The Tonight Show with Jimmy Fallon in January 2026.
Dove Cameron appeared backstage at The Tonight Show Starring Jimmy Fallon on January 27, 2026, in a look that gave quiet confidence a razor cut. She wore a sharply tailored black pantsuit : strong peak lapels , one-button closure, structured shoulders but no shoulder pads, just posture. The pants, lean and slightly flared at the hem, hovered just over pointed patent pumps. From the waist up, clean geometry. Below, clean lines sinking into shadows.
She didn’t fuss with layers. No blouse, no shirt. Just bare chest beneath suit, deep V. What could be mistaken for simplicity is actually precision. Her hair, glazed and glossy, styled with a center part and loose, curving at the ends like something from a 1950s shampoo ad—but sharper. A thin chain, delicate earrings, and that Bernini Custom Engagement Ring —subtle, but strategically placed on the hand that rested in her pocket. It’s an accessory that says neither “look at me” nor “ignore me.” It just exists. Like a fact.
