Shay Mitchell wore a nude corset over a black bra top with loose black trousers at the GQ Men of the Year event in Los Angeles, November 13, 2025.

At the GQ Men of the Year event in Los Angeles on November 13, 2025 , Shay Mitchell appeared in a look that emphasized red carpet-coded structure reframed as editorial tension . She wore a nude-toned structured corset layered over a black bra top , paired with loose-fitting black trousers and black pointed-toe shoes . The ensemble’s silhouette played with contrast — architectural rigidity above, relaxed tailoring below — creating a visual rhythm that felt both deliberate and directional.

Accessories included a delicate necklace and earrings , adding subtle punctuation to the neckline and face. Her hair was styled sleek and center-parted, reinforcing the outfit’s clean geometry, while makeup leaned toward bronzed tones and soft contouring.

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Anya Taylor-Joy wore a cream shearling coat, long skirt, and Essen black leather ballet flats while arriving at her hotel in New York City on November 12, 2025.

On November 12, 2025 , Anya Taylor-Joy was spotted arriving at her hotel in New York City , wearing a look that emphasized street style-coded winter elegance reframed as urban softness . She wore a cream-colored shearling coat with a matching hood , belted at the waist with a gray sash , paired with a long cream skirt and Essen black leather ballet flats .

The coat’s plush texture and voluminous silhouette created a cocoon-like effect, while the monochromatic palette reinforced the ensemble’s tonal discipline. Her choice of flats added grounded contrast to the otherwise sculptural upper layers, suggesting a deliberate balance between comfort and visual impact.

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Aitana Ocana wore a strapless royal blue sequined gown at the Latin Grammy: La Musica de Andalucia photocall in Sevilla on September 10, 2025.

At the Latin Grammy: La Musica de Andalucia photocall in Sevilla on Wednesday, September 10, 2025 , Aitana Ocana appeared in a look that emphasized red carpet-coded luminosity reframed as cultural elegance . She wore a strapless, floor-length royal blue gown fully sequined , sculpted to accentuate the figure with a clean neckline and uninterrupted silhouette.

The gown’s reflective surface caught the ambient light with high editorial impact, while the saturated hue echoed both Mediterranean depth and performance-coded drama. Her hair was styled sleek and parted, and makeup leaned toward soft glam, allowing the dress’s texture and color to dominate the visual narrative.

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