At the 73rd San Sebastián Film Festival, Silvia Acosta redefined photocall fashion — crisp shirting, hybrid tailoring, and a confident silhouette that fused classic menswear with editorial edge.
Silvia Acosta didn’t just show up for the photocall — she edited it. In a tailored ensemble that fused pinstripe tradition with skirted innovation, she made menswear feel cinematic.
The look is a masterclass in hybrid tailoring. The pinstripe trousers anchor the outfit in classic suiting, but the skirt overlay disrupts the silhouette with movement and asymmetry. It’s a designer outfit that evokes the precision of Thom Browne and the fluidity of Comme des Garçons — structured, but never stiff.
The black heeled boots extend the line of the leg and reinforce the outfit’s verticality. The absence of jewelry keeps the focus on cut and proportion. The tie — a simple black strip — adds a graphic element that balances the skirt’s softness.
The outdoor setting, with its coastal light and branded podium, frames Acosta as both actress and fashion subject. Her stance is confident, her expression composed. It’s the kind of presence that turns a photocall into a fashion spread.
At the 73rd San Sebastián Film Festival, Barbara Lennie fused high fashion and activism — brown satin, sculptural leather, and a bold badge that turned styling into statement.
Barbara Lennie didn’t just dress for the photocall — she dressed for the moment. In satin and leather, she turned a fashion spread into a statement.
The blouse, with its soft sheen and fluid drape, evokes classic eveningwear — but here it’s recontextualized for daytime activism. The leather skirt, high-waisted and flared, adds structure and edge. Together, they create a silhouette that’s both editorial and grounded, a fashion photoshoot idea that feels lived-in.
The pairing of satin and leather is deliberate — a tactile contrast that speaks to duality: softness and strength, elegance and defiance. The zipper and button details on the skirt add utilitarian notes, while the tucked blouse keeps the look refined. It’s a studio portrait in motion.
Jewelry stays minimal, letting the textures lead. But the badge — “STOP INVASION” — shifts the narrative. It’s not just styling, it’s messaging. In a high fashion context, it reads as a call to consciousness, a reminder that beauty shots can carry weight.
At the Netflix Inside USA cast party, Sydney Thomas turned red carpet arrivals into a fashion moment — plunging noir, sculptural pearls, and a confident silhouette that whispered couture.
Sydney Thomas didn’t just arrive — she edited the carpet. In a plunging black gown and pearl-clutch precision, she made minimalism feel like a statement.
The gown is a study in restraint: no sequins, no embroidery, just line and exposure. The neckline plunges with intention, balanced by the gown’s full length and fitted structure. It’s a designer outfit that evokes the discipline of haute couture — where every inch is calculated, and nothing is accidental.
The white heels offer a crisp visual break, elongating the leg and lifting the silhouette. But it’s the clutch that steals the accessory spotlight: pearl-like embellishments arranged with sculptural intent, adding texture and a whisper of opulence. The absence of jewelry keeps the focus on silhouette and contrast — a styling decision that reads as editorial.
Explore more red carpet arrivals that prove minimalism is still the boldest move.
