Simone Biles brought Olympic poise to the ESPYs red carpet—her violet gown a study in athletic grace, red-carpet restraint, and post-gold serenity.
Simone Biles didn’t just win—she arrived. At the 2025 ESPY Awards, held at the Dolby Theatre in Hollywood, the most decorated gymnast of all time stepped onto the red carpet in a shimmering violet gown that whispered elegance rather than shouted it. The sleeveless, square-neck silhouette hugged her frame with the same precision she brings to a beam routine—no excess, no embellishment, just form and focus.
Brooks Nader leaned into ’90s minimalism at the 2025 ESPYs—her plunging Saint Laurent slip dress a whisper of seduction, restraint, and red carpet nostalgia.
Brooks Nader didn’t just attend the ESPYs—she resurrected a silhouette. At the Dolby Theatre in Hollywood, the model and reality star walked the red carpet in a white silk Saint Laurent slip dress that felt like a love letter to ’90s minimalism. The plunging neckline, halter-style straps, and bias-cut drape created a column of liquid elegance, the kind that moves with the body rather than against it.
Emily Ratajkowski slithered into late-night TV in a teal Tom Ford-era Gucci snake dress—Y2K seduction meets post-feminist cool, with a wink toward reptilian glamour.
Emily Ratajkowski’s Wednesday press tour for Netflix’s Too Much culminated in a late-night fashion crescendo: a python-print halter mini from Tom Ford’s Spring 2000 Gucci archive. The dress—teal, slinky, and unapologetically sultry—featured a keyhole cutout and leather strap detailing, echoing Ford’s signature blend of sex appeal and sculptural minimalism.
