Never one to miss a moment, Sofia Carson unveils a dual masterpiece of dramatic celebrity style at the Venice Film Festival—from a baroque rebellion to a neoclassical dream.
At the 82nd Venice International Film Festival, Sofia Carson proved she’s a master of sartorial transformation. Moving beyond her polished pop persona, the star debuted not one, but two, entirely distinct looks that captured the festival’s high-fashion essence with equal parts grace and edge. The result was a captivating study in duality: the soft romanticism of a beaded Elie Saab couture moment followed by the stark, architectural lines of an Armani Privé creation.
This is a woman who understands a visual narrative.
For the amfAR Gala, Carson attended in a breathtaking Elie Saab Fall/Winter 2025 couture gown. A vision in blush, the dress was an intricate tapestry of heavy beadwork and floral embroidery, its corset top providing a structured counterpoint to the ethereal, voluminous sleeves. The delicate, almost sheer fabric shimmered under the lights, creating a soft, dream-like effect. It was pure old-world glamour, a look designed to be seen in the golden hour light of the Venetian canals.
In contrast, her red-carpet moment for the Frankenstein premiere was a lesson in minimalist futurism. The Armani Privé gown was a sleek, form-fitting silhouette in a pale, almost beige tone. The fabric appeared to be a shimmering, high-tech mesh or finely woven sequins, catching the light in a subtle yet mesmerizing way. Its long sleeves and simple cut gave it a powerful, almost severe elegance—a direct foil to the romanticism of the Elie Saab look.
Never one to hide her affection, Kaia Gerber fused sleek minimalism with romantic undertones while strolling Venice’s cobblestone streets with Lewis Pullman—proving even casual outings can feel like a red carpet-worthy moment.
As the Venetian night air hummed with the soft glow of streetlights, Kaia Gerber and Lewis Pullman turned heads—not just for their chemistry, but for her effortlessly chic ensemble that blended evening elegance with off-duty cool. The actress, known for her refined taste, opted for a black halter dress with a plunging neckline, its stretchy fabric hugging her frame in a slim, midi-length silhouette that struck the perfect balance between sultry and sophisticated.
The dress’s smooth, matte finish contrasted beautifully with the subtle sheen of her Repetto Cendrillon pumps —classic black leather with a pointed toe and low, elegant heel, adding a touch of Parisian flair to the look. Over her arm hung a Gucci Jackie 1961 Small Shoulder Bag , its structured shape and neutral hue complementing the monochrome palette without overwhelming it. Completing the ensemble were her Khaite x Oliver Peoples 1969C Sunglasses , round frames with a retro vibe that added a hint of vintage charm without overshadowing the modernity of her outfit. Each piece felt purposeful: the pumps grounded the dress, the bag added practicality, and the sunglasses lent an air of mystery—proof that even “simple” outfits require thoughtful curation.
So, are we witnessing the birth of a new era of “casual couture”—or just Kaia Gerber reminding us that love (and good fashion) is always worth showing off?
Sabrina Carpenter’s viral “Man’s Best Friend” campaign (and frankly, a surprise drop) takes a new turn in a series of promotional shots that are part futuristic, part playful Americana.
Sabrina Carpenter’s latest project is a collaboration with Waymo and Spotify, and the imagery is a masterclass in blending high-tech with high-fashion. The campaign images, shot at night, feature the star with a self-driving Waymo vehicle, transforming a typical promotional shoot into something akin to a Blade Runner-esque fashion moment. The result is a perfect fusion of technological advancement and personal style.
Carpenter wears a red and white checkered two-piece set that instantly evokes a nostalgic, picnic-ready aesthetic. The bralette-style top features delicate spaghetti straps and a subtle scoop neckline, while the matching high-waisted shorts have a playful, brief-like silhouette. This gingham pattern, often associated with a sweeter, more innocent style, is given a sharp, contemporary edge through the styling. The look is a bold subversion of expectations—it’s Marie Antoinette if she were a cyber-punk pop princess.
The real showstopper is the footwear. Carpenter pairs the outfit with towering white stiletto heels that feature a matching red and white gingham bow detail at the ankle, tying the entire look together with a whimsical, yet sophisticated, bow. This intentional choice bridges the gap between the casual, almost retro, nature of the outfit and the sleek, futuristic backdrop of the self-driving car. Her hair, styled in a messy, voluminous half-ponytail, adds to the sense of effortless cool, as if she just stepped out of the car. Her makeup is fresh and dewy, focusing on a clean base and a soft smoky eye that keeps the attention on the playful outfit. The overall mood is confident and a little bit mischievous.
