Sofia Carson leaned into ethereal drama—her sheer, crystal-dusted gown whispering old Hollywood with a modern chill—at Venice’s most cinematic red carpet of the season.
There’s a moment every season when a red carpet look doesn’t just land—it lingers. At the 82nd Venice International Film Festival, Sofia Carson delivered one such moment during the premiere of Frankenstein , stepping onto the Lido in a gown that felt like a ghost of glamour past, reinterpreted for the present.
The dress, a floor-length nude illusion piece with long sleeves and a high neckline, was a study in restraint and radiance. Its sheer overlay, delicately embroidered with evenly spaced embellishments, caught the light like dew on silk. The silhouette was classic—fitted through the bodice, then gently flaring into a soft skirt that moved with cinematic grace. Though the designer remains unconfirmed at press time, the craftsmanship spoke to couture-level precision.
Accessories were minimal, almost reverent. No visible jewelry competed with the texture of the gown, allowing the fabric’s quiet shimmer to take center stage. Her shoes were hidden beneath the hem, but the overall styling suggested a preference for tonal harmony over contrast.
For more moments like this, explore our curated archive of celebrity red carpet .
Lucy Hale’s morning workout look—equal parts utilitarian and off-duty cool—turns a parking lot stroll into a masterclass in functional celebrity style.
There’s something quietly cinematic about Lucy Hale walking through a sunlit Los Angeles parking lot—water bottle in hand, tote slung over shoulder, sunglasses shielding her gaze. No entourage, no red carpet, just the kind of everyday moment that reminds us why Hale’s off-duty looks consistently land in moodboards and Pinterest folders alike.
Her outfit? A textbook study in elevated athleisure. The dark green crop top, fitted and minimal, pairs seamlessly with black high-waisted leggings that hug the silhouette without veering into over-styled territory. The fabric reads matte, breathable—likely a performance blend designed for movement but styled for visibility.
Accessories were practical but not without flair. A large orange tote bag added a jolt of color contrast, while white socks and gray athletic sneakers grounded the look in gym-readiness. The blue water bottle and phone in hand felt less like props and more like punctuation—proof that Hale’s fashion fluency extends to the mundane.
Her hair was pulled back (likely in a low bun or ponytail, though obscured by angle), and makeup, if any, was minimal to nonexistent. The sunglasses—oversized and black—offered a touch of anonymity, but also a nod to LA’s unofficial uniform.
The overall mood? Casual, confident, and quietly curated. Hale’s posture—upright, brisk, unfussy—suggested purpose without pretense. It’s the kind of look that doesn’t scream “celebrity,” but whispers it in a way that feels more intimate, more real.
For more candid moments like this, explore our archive of celebrity street style .
Actress Emilia Jones takes on the Venice Film Festival red carpet with a hauntingly beautiful, gothic-inspired look for the Armani/Archivio presentation.
The Venice Film Festival is a canvas for cinematic glamour, and Emilia Jones’s recent appearance was a masterclass in mood and texture. Her ensemble, a daring black dress, felt less like a traditional gown and more like a work of art—a fusion of fragility and fierce elegance.
The dress itself is a gothic dream. It features a daring midriff cutout and a bandeau-style top that connects to a full, tiered skirt. The fabric is a delicate black tulle, sheer and ethereal, which reveals glimpses of her figure beneath. What truly elevates the dress is the intricate, all-over floral embroidery and appliqué , which gives it a rich, textural quality. These details—almost like dark vines creeping across a web of shadow—lend the look a sophisticated, almost fantastical feel.
Jones opted for minimal accessories to let the dress command full attention. She wore a dainty silver necklace with a small pendant and what appears to be a bracelet. Her shoes—black, pointy-toed Giorgio Armani Patent Leather Slingbacks —peep out from beneath the long skirt, offering a clean, sharp finish to the fluid silhouette. A matching Cartier Love Bracelet on her left wrist adds a touch of subtle luxury.
Her hair is styled in a simple, straight bob with a natural-looking side part. It frames her face and adds a modern, slightly disheveled feel that contrasts with the old-world intricacy of the dress. Her makeup is clean and fresh, with a defined eye and a subtle nude lip, which keeps the focus on her intense gaze and the dramatic gown. The overall mood is one of quiet power and romantic melancholy, a perfect fit for a Venetian night.
Jones’s look at the Armani/Archivio presentation is a refreshing departure from the conventional red carpet. It’s a bold choice that speaks to her willingness to experiment with style and narrative. She proves that the best looks are those that tell a story, and this one whispers of dark fairy tales and late-night rendezvous. To see more of her and other stars, check out all the latest celebrity photos .
