Sofia Carson debuts an editorial for Numéro Netherlands, trading in her signature romantic glamour for a series of powerful, sculptural looks that command the frame with cinematic force.
There comes a time in every star’s journey where the aesthetic must evolve. It’s a risk, a delicate balance between reinvention and losing what made you compelling in the first place. But for Sofia Carson, in her new Numéro Netherlands digital editorial for August 2025, that evolution is nothing short of a masterful coup. Shot by Alan Gelati, the series is a stark, almost cinematic turn—a beautiful study in tailoring and shadow that feels both timeless and aggressively modern.
Carson debuts a series of looks that are a complete departure from the polished, princess-like dresses we’ve come to expect. Take, for example, the pinstripe suit. It’s an impeccable piece of tailoring: a wide-shouldered, double-breasted jacket and wide-leg trousers that fall with a perfect, clean line to the floor. She stands with her hands in her pockets, an easy confidence radiating from the pose. This isn’t just a suit; it’s a statement about power.
Then, the narrative shifts again, as she unveils a look that feels plucked from a classic noir film. She wears a crisp white shirt with a black bow tie, cinched at the waist with a wide, dramatic obi belt. A wide-brimmed hat casts a shadow over her face, adding to the mystique. It’s a playful nod to menswear, a brilliant subversion that feels entirely fresh. There is a sense of cinematic storytelling here, where every accessory—every crease of the fabric—is intentional.
Finally, she takes on a coat with an animal-like pattern, draped loosely over her shoulders, revealing a strong silhouette and bare skin beneath. It’s a delicate balance, a study in a new kind of glamorous ease that is both sensual and powerful. The styling cohesion is a masterstroke: throughout the series, her hair is sleek and straight, her makeup sharp and refined.
Sofia Carson unveils a new style narrative for Billboard Italia, fusing tailored power dressing with the unapologetic swagger of street style—a move both audacious and utterly chic.
There is a certain magic that happens when an artist’s personal style begins to truly reflect their creative identity. For Sofia Carson, who has long navigated the worlds of music and cinema, her latest editorial for Billboard Magazine Italia in August 2025 feels like a sartorial manifesto. It is here that she unveils a new kind of power dressing—one that is unafraid to mix the high-fashion atelier with the rebellious spirit of the street. It’s a very modern rebellion, non?
The editorial is a study in purposeful contrasts. In one shot, she commands the frame in a black leather jacket and wide-leg trousers. The jacket, worn off the shoulders, is a raw, sensual statement, beautifully undone. But it’s the snakeskin boots that truly make the look—a flash of danger, of decadent, unapologetic texture. In another moment, she adopts a structured tweed suit, its classic silhouette reinterpreted with a clean, moto-inspired jacket. It’s a look that feels both timeless and perfectly now, a tribute to the icons of old but with a decidedly fearless edge.
And then, there’s the cover look.
This is where the magic truly unfolds. Carson wears a stunning, oversized burgundy suit—its rich, dark color and powerful tailoring are nothing short of cinematic. But the stroke of genius? The pairing with a pair of simple, retro-inspired Adidas sneakers. It’s a moment of whiplash chic —the elegance of haute tailoring colliding head-on with the raw authenticity of street style. It’s a look that makes you stop and think, that challenges the old rules of formal wear.
The entire shoot is a testament to her versatility. From the sleek, striped shirt and wide-leg trousers to the bold, all-leather ensemble, every image reinforces the idea that her style, much like her career, is defined by its ability to effortlessly bridge two worlds. It is the perfect visual representation of the magazine’s own tagline, “Una stella fra cinema e musica” —a star between cinema and music. And in this case, her style is the ultimate stage.
Natalie Portman effortlessly fuses a classic casual look with a touch of haute couture, debuting a masterclass in high-low dressing on the streets of New York City.
There is a certain art to the off-duty look—a seemingly effortless equation that, when done correctly, makes a far more impactful statement than a hundred red carpet gowns. It’s the sartorial equivalent of a whisper in a crowded room. And on a sun-drenched day in New York City this August 14, 2025, Natalie Portman provided a textbook example.
We’ve long known Portman for her elegant, often polished, red carpet sensibilities. But here, amidst the city’s chaotic energy, she makes a quiet, confident case for a new kind of luxury. She pairs a simple black tee—its clean lines broken only by a subtle white “V” print—with classic, high-waisted denim shorts. It’s a canvas of pure, American casual.
But then, you look down.
And that’s where the true genius lies. On her feet, she wears a pair of pristine white Christian Dior sneakers. They’re a stark, almost rebellious contrast to the laid-back denim, a flash of couture in the urban jungle. And the little detail of the lace-trimmed socks peeking out? Exquisite . It’s a subtle nod to femininity and vintage charm, effortlessly woven into a sporty, modern silhouette. The look is complete with a slouchy, natural-toned tote bag slung across her body, a practical piece that only reinforces the intentional casualness of the moment.
It’s a very French notion, isn’t it? This idea of mixing the très cher with the everyday, of wearing your most treasured pieces not for an event, but for a walk down the street. It’s a rejection of the idea that luxury must be saved for a special occasion. For Portman, every day is an occasion. Every sidewalk, a runway.
So, is this the new uniform of the intellectual chic? A quiet rebellion against the excesses of logomania? It’s a look that says, “I have the best, but I don’t feel the need to shout about it.” And honestly, isn’t that the most powerful statement of all?
