Sofia Vergara wore a strapless chocolate-brown leather corset dress and black platform heels at the Infinite Icon world premiere 2026.
At the Infinite Icon: A Visual Memoir world premiere in Los Angeles, Sofia Vergara arrived in a look that defines how restraint can still feel powerful. Her dress — a deep chocolate-brown, strapless, and sculpted to precise perfection — framed her silhouette in clean vertical lines. The leather finish gave it structure and warmth, less sheen, more confidence. The neckline dipped into a bold V, sharp but softened by her long, chestnut waves falling forward over bare shoulders.
Minimal jewelry. A few stacked rings. Natural nails. It’s the kind of styling meant not to distract from form — just to emphasize it. Her shoes, black peep-toe platforms with ankle straps, added height without pulling focus. The background of bright magenta carpet only amplified how grounded and warm the look felt.
Rachel Sennott appears in the Wildflower Cases January 2026 campaign, photographed in two distinct looks that highlight retro styling and playful confidence.
January 2026. Rachel Sennott kneeling on a red floor, background the same shade, outfit checkered bikini top with high-waisted shorts. Panels red, ribbons cream, accents vintage. Hair styled, makeup retro. She holds a smartphone to her ear, mid-call, expression casual. The look feels nostalgic, almost staged like a mid-century ad, but with a modern twist.
Another frame: seated on a white director’s chair, backdrop solid pink. Outfit retro again, this time a pink set, gold heels catching light. Smartphone in hand, case patterned black and white. The styling cohesive, color scheme tight, atmosphere playful. It feels like a campaign that knows its own humor — leaning into kitsch but polished enough to be editorial.
Kat Von D wore a sculptural black bandaged dress with tattoo-style detailing at the Infinite Icon world premiere in Los Angeles 2026.
At AMC The Grove 14, Kat Von D turned the carpet into a kind of shadow play. Wrapped in overlapping panels of matte black fabric, the dress coiled over her body almost like armor — part sculpture, part second skin. Between the strips of material, slivers of tattooed skin broke through, blurring the boundary between the garment and her own art. The overall effect felt both mechanical and personal, a piece stitched directly into her.
Her hair hung dark and perfectly controlled, center-parted and glossy against the harsh pink lighting of the backdrop. Black-on-black details flowed through the look — tight sleeves blending seamlessly into body paint that mimicked fabric texture. She paired it with low-cut pointed heels that matched the severity of the silhouette. No shimmer, no soft edges. Only form, contrast, and intention.
