Sol Rodriguez, the rising star of Peacemaker, unveils a shimmering, sequined gown for the show’s season two premiere, fusing high-octane glamour with a modern, metallic twist.
The red carpet is often a place for a certain kind of fantasy, a space for stars to transform into cinematic visions. And on August 13, 2025, in a moment of pure style alchemy, Sol Rodriguez did just that. She attended the premiere of HBO’s Peacemaker Season 2 in a look that was less a dress and more a second skin of shimmering, molten glamour.
Rodriguez presented herself in a stunning, full-length sequin gown that felt both futuristic and timeless. The dress, with its dark, almost bronze-red sequins, shimmered under the lights, creating a play of light and shadow that gave the fabric a liquid quality. The design is sleek and modern, with a high halter neckline and a form-fitting silhouette that flows seamlessly to the floor. The intricate pattern of the sequins, which are arranged in a chevron-like design, adds a sense of movement and dimension to the look, a true testament to the power of a well-designed textile. It’s a look that feels at once sensual and powerful.
Jenna Ortega, a style chameleon, debuts a new campaign for Dior Rouge, channeling dark romance and modern elegance with a glossy, berry-hued lip that feels both classic and completely of the moment.
Some collaborations just make sense. It’s a perfect alignment of a brand’s DNA and a celebrity’s personal ethos, a true marriage of creativity and influence. And in her new 2025 campaign for Dior Rouge, Jenna Ortega proves she is the perfect face for a brand that has always understood the power of a bold lip. The campaign images are a masterclass in modern glamour, a dark, moody twist on classic Hollywood beauty.
The focus is, of course, on the lips—a glossy, rich berry shade that feels both sultry and sophisticated. But it’s the entire aesthetic that truly sells the vision. Ortega’s hair is styled in a choppy, almost undone bob with a short, modern fringe that frames her face beautifully. The texture is casual, a slight rebellion against the polished elegance of the makeup. Her eye makeup is equally on-point, with a sharp, elongated cat-eye that adds a sense of dramatic flair. It’s a look that feels both cinematic and deeply personal, a clever nod to her signature dark aesthetic, but elevated with a high-fashion, high-gloss finish.
Her outfit, a black beaded halter dress, is a perfect complement to the makeup. The intricate, sparkling texture of the beads adds a sense of opulence and glamour, while the simple, sleeveless silhouette keeps the focus on her face. Her accessories are minimal but impactful—a stack of delicate diamond rings and a pair of small, sparkling ear cuffs. It’s all about the details, no? The combination of the dark, almost gothic eyeliner and the glossy, rich lip creates a compelling duality—a look that is both edgy and classic.
Britney’s lace-on-lace rebellion—red beneath black—turned a routine club exit into a paparazzi fever dream, equal parts burlesque tease and post-divorce defiance.
There are entrances, and then there are arrivals . On December 15, 2006, Britney Spears didn’t just step into Hollywood’s Forty Deuce Night Club—she detonated a fashion moment that still ripples through the pop-cultural ether. It was the kind of look that whispered “comeback” while screaming “don’t look away.”
Emerging from the velvet shadows of the burlesque-inspired venue, Spears wore a sheer black lace dress that clung like scandal. The floral pattern—delicate but deliberate—revealed a crimson underlayer that felt more like a dare than a detail. It was lingerie-as-armor, a sartorial shrug at the tabloid frenzy that had followed her all year.
The silhouette was body-conscious but not constricting, allowing for movement—gyration, even. Paired with strappy black stilettos that clicked against the pavement like punctuation marks, the ensemble was pure Britney: provocative, playful, and just a touch chaotic. No confirmed designer attribution has surfaced, but the look echoed the risqué glamour of Roberto Cavalli’s early 2000s clubwear, with hints of Dolce & Gabbana’s gothic romanticism.
Accessories were minimal, almost defiant in their absence. No clutch, no chandelier earrings—just the dress, the heels, and the attitude. Her hair, tousled and unstyled, framed a face that wore the night’s drama like a mask. The makeup? Smoky eyes, nude lips, and a gaze that said, “I know exactly what I’m doing.”
