Sophie Nelisse wore a sleek black halter mini dress and ankle-strap heels at the Whistle screening in Santa Monica on January 27, 2026.
Sophie Nelisse arrived at the Whistle screening at the Aero Theatre in Santa Monica on January 27, 2026, in a look that whispered minimal effort but came out flawless. The outfit: a sharp, curve-skimming black halter mini dress , high neckline snapping to attention like a collar but softened by the simplicity of the silhouette. No embellishment. No trick seams. Just structure and skin.
Her styling leaned into restraint. A pair of black ankle-strap heels , clean liner and gloss, and a low bun that looked like it might’ve been done in five minutes—but somehow still held through the entire event appearance . The makeup was soft-focus—muted lip, brushed-up brows, a little rose on the cheeks. Jewelry was minimal: a pair of subtle diamond studs and a single ring.
Nicole Scherzinger wore a printed maroon maxi dress and floral lei to a cultural event at the Liliuokalani Center in Honolulu, January 2026.
Nicole Scherzinger attended a cultural event at the Liliuokalani Center for the Performing Arts in Honolulu on January 26, 2026, wearing a look that was equal parts celebration and rooted elegance. Her outfit: a floor-length, tropical-printed maroon maxi dress , softly gathered at the waist and draped with ease. The sleeveless cut, slight V-front, and subtle sheen of the fabric allowed movement—literal and emotional.
The print read Hawaii without trying too hard—turquoise strokes layered into the weave like wind through palms. But the lei was the actual punctuation here. A full draping of fresh layered island flowers , in soft yellows and cream, wrapped twice around her shoulders, grounding the entire look in the moment rather than the carpet.
Erin Doherty wore a sculpted black gown with a folded skirt detail to the 83rd Golden Globe Awards in Beverly Hills, January 2026.
Erin Doherty stepped onto the Golden Globe Awards red carpet on January 11, 2026, in a gown that didn’t whisper or scream—it just stood its ground. No embellishment. No glitter. No overt statement beyond the structure . Her black gown —sleek through the torso, then dramatically pooled into folded, origami-like construction at the skirt—was less about being “pretty” and more about being composed.
There’s a quiet command in this kind of look. No one’s overwhelmed, but no one forgets what they’re looking at. The neckline is a sharp V, but softened just enough at the edges not to feel aggressive. Hair slicked back into a centro-symmetric bun that feels more ballet than beauty queen. Just a diamond tennis bracelet , a ring, a pair of small earrings—and done. No bag. No clutch. Nothing to fidget with.
