Sophie Turner wore a black wool midi dress, oversized coat and red clutch during her SiriusXM appearance in New York City in 2026.
Morning light glances off cobblestones as Sophie Turner steps toward the SiriusXM entrance, bundled in a Khaite Donna oversized double-breasted coat that feels almost architectural. The shoulders puff, the sleeves billow, the hem skims her calves. Underneath, a lean Self-Portrait wool-blend twill midi dress stays quiet, letting the coat do the shouting. One pop of color: a crimson Khaite Kye shoulder bag, folded into her palm like a glossy envelope. Black pointed pumps, sheer tights, nothing else jangling. Round wire glasses soften the strict lines; cherry lipstick does the opposite. In this quick sidewalk flash she turns a routine interview stop into a lesson in outside-the-studio polish, the kind that keeps celebrity street style watchers glued to their feeds.
The look taps an old cinema trick–oversize outerwear as instant authority–while swapping trench-coat grit for modern volume. It hints at power without screaming “CEO,” a neat pivot for an actress edging into producer territory. 2026’s mood is cautious luxury: quality wool, pared-back palette, one loud accessory so the phone cameras have something to bite. Turner nails the equation.
Yet the coat’s ballooning sleeves swallow her frame a touch too eagerly; a slimmer cuff might have sharpened the silhouette and spared the dress a little airtime. Still, the overall picture is controlled, intentional. When a single coat can command an entire street corner, minimalism stops being timid and starts feeling like quiet muscle.
Style Dilemma: Do the swollen sleeves read as confident modern tailoring or just excess fabric begging for a tailor’s shears?
Kristen Stewart wore a sheer silver mesh dress over a white crop tee and chunky black boots for Late Night with Seth Meyers in 2026.
Cold January pavement, midnight-ish. Kristen Stewart strides toward the Late Night with Seth Meyers studio wearing what looks like three outfits distilled into one restless idea. Up top: a plain white Leset Crop Sleeveless Margo tee, the kind you buy in bulk and live in. Over it, a navy zip-front jacket flashing loud red tartan lining whenever she moves–half punk throwback, half borrowed mechanic coat.
Then the surprise: a shimmering, almost liquid layer from The New Arrivals Ilkyaz Ozel Isis Dress used as pants. Technically a dress, here it hangs sheer and straight, turning her legs into two pale beams under streetlights. High-waist briefs underneath keep the reveal controlled. Ground level, the mood shifts again: Casadei Betty High Block-Heel Leather Boots , thick platform, no fear of potholes. Round sunglasses at night, messy knot of hair, city wind sorting the bangs for her. No bag, no jewelry fuss. Just a quick hands-in-pockets stroll that instantly feeds the engine of celebrity street style gossip.
The mix feels raw on purpose–high-gloss mesh against a gas-station tee. It nods to grunge recycling yet flirts with 2026’s craving for visible craft. One sharp insight: Stewart treats transparency less as provocation, more as armor–there’s nerve in showing everything and still walking like it’s nothing.
Critique? The jacket’s bulk fights the silver column below; a slimmer bomber would let the mesh breathe. And sunglasses after dark always invite eye-rolls, but maybe that’s the point–keep the paparazzi guessing. Easy pieces plus audacious sparkle make a look that refuses tidy categories, much like Stewart’s own career zigzags.
Style Dilemma: Does the see-through mesh read as fearless honesty or just another fleeting street-photo gimmick?
Sophie Turner wore a gunmetal rhinestone crop top, midi skirt and black heels on The Tonight Show Starring Jimmy Fallon in January 2026.
Sophie Turner slipped out of the glass doors and into the night like a mirrorball gone modest. First thing you spot: the long, inky Fforme coat–lapels sharp, shoulders relaxed, fabric heavy enough to hush the winter wind. Then she moves, and the coat parts just a little, and the streetlights bounce off a Self-Portrait crop top and matching midi skirt drenched in gunmetal rhinestones. Tiny stones, thousands of them, throwing pinpricks of light onto the pavement. The set sits high on the waist, leaving a thin, confident slice of midriff. Nothing scandalous, just enough skin to keep the sparkle from feeling armoured. Her legs pick up the story: bare, pale, ending in Black Suede Studio Shania Satin Peep-Toe Mule Heels –a polite lift, satin finish, toes showing even though the thermometer says “don’t.” Hair is loose, softly waved, the kind of blow-dry that suggests both money and time. Makeup? Smoky enough to read from the cheap seats, yet calm, almost sleepy.
Tucked inside a week of brand launches and panel talks, this look lands between late-night glam and commuter pragmatism. Gunmetal instead of gold feels right for 2026–sparkle with its elbows in. One foot in early-2000s party nostalgia, the other in today’s hunger for visible craft. Refined bling, if there is such a thing.
Still, a quirk: the open-toe mule chops the line at the very moment the skirt wants to draw it down to the floor. A closed pump–maybe patent, maybe pointed–would have finished the sentence more cleanly. Minor gripe. The bigger picture is a young actress turning TV promo into a movable light show, no red carpet needed.
Rhinestones used with restraint can read like power dressing for an era that distrusts overt luxury.
Does Turner’s choice of an exposed midriff make the sparkle feel modern, or would a full-length top sharpen the sophistication?
