Sophie Turner wore a black Self-Portrait Wool-Blend Twill Midi Dress with pointed pumps at the SiriusXM studios in New York City on Wednesday.
Sophie Turner stood against the relentless blue-and-white branding of the SiriusXM backdrop on Wednesday, looking less like a media guest and more like the world’s most glamorous HR director about to deny your vacation request. The actress wore the Self-Portrait Wool-Blend Twill Midi Dress , a deceptive garment that mimics the architecture of a skirt suit—sharp shoulders, nipped waist, serious buttons—without the administrative hassle of two separate pieces. It is severe, bordering on ascetic, until you notice the sheer-adjacent panel at the hem which adds a weird, necessary ghost of texture to the black block.
Rose Byrne appears in W Magazine’s Best Performances Issue for January 2026, photographed by Tyrone Lebon in a black leather outfit with a striking white bow.
January 2026. A plain wall, a chair with a folder resting on it. Rose Byrne standing against the backdrop, outfit sharp, posture steady.
Her look: black leather jacket, matching skirt, fabric stiff, sheen muted. A large white bow tied at the neck, oversized, almost theatrical, but softened by loose waves in her hair. Red lipstick sharp, cutting through the monochrome. Shoes unseen, but presence grounded.
Sabrina Carpenter wore a white Buci Ambrosia Knit Poncho with matching Buci Bow Stockings for an outing on Sunday night.
Sabrina Carpenter exists, mostly, in a self-imposed 1960s vignette, and her appearance on January 4 was no exception to this rule. The singer was captured in a flash-lit corridor wearing the Buci Ambrosia Knit Poncho , a garment that is less a sweater and more a soft, architectural bell. It swallows the upper body in creamy, ribbed fabric, creating a silhouette that is equal parts ski-lodge cozy and Mod-era stark. It’s a deliberate pivot from the usual exposed skin of celebrity style , trading grit for a kind of aggressive, winterized innocence. The commitment to the “living doll” aesthetic continues downward. She paired the oversized knit with Buci Bow Stockings , thigh-high white socks finished with delicate ribbon ties that cut the leg off just so. It’s kitsch, certainly—a little bit nursery rhyme, a little bit retro futurism. On her hand, visible as she clutched a vintage-style handbag embroidered with needlepoint roses, was the Maison Raksha Diamond Initial Ring , a sparkle of hard luxury against all that soft yarn. The bag itself is the punctuation mark here; stiff, floral, and looking like something looted from a well-kept grandmother’s parlor. There is something almost suffocatingly sweet about this ensemble, and yet, it works because Carpenter wears it with a knowing smirk. The proportions of the Buci Ambrosia Knit Poncho —huge sleeves, high neck, short hem—are tricky, threatening to turn the wearer into a walking lampshade. But she navigates the volume by keeping the lower half sharp with the Buci Bow Stockings . It’s not “fashion” in the intellectual sense; it’s costume design for real life. The look feels curated for the camera flash rather than the human eye, a flat, perfect image of winter whiteness that refuses to acknowledge the slush outside.
