Sophie Turner wore a combat-core outfit–tank top, utility shorts, and holsters–for her Tomb Raider series photoshoot in 2026.
Sophie Turner steps into a different universe here. Gone are the couture gowns and press junket smiles–this is Lara Croft mode . In the frame, she’s all utility and discipline: dark green tank top, high-waisted utility shorts, and the familiar harness rig crossing the torso. Leather gloves, holstered weapons, even the metallic buckle catching light–all pieces you can almost hear rattle. A photoshoot but with its own narrative weight.
She wears red-tinted round sunglasses, a tiny anachronism that makes the look feel cinematic rather than cosplay. Hair pulled back roughly, wisps left free to soften the edges. Her expression is concentrated but not posed–a moment snatched between movement and intent. This is how you update a 90s game icon without chasing nostalgia.
Nell Fisher wore a green and white striped button-up shirt for her NetflixUK Stranger Things season 5 photoshoot in December 2025.
Nell Fisher for NetflixUK, Stranger Things season 5, December 2025. She’s standing in front of a deep red velvet curtain, arms relaxed, gaze steady, not a hint of nerves. The look is pure photoshoot –a green and white striped button-up shirt, sleeves long, collar open, nothing fussy. The fabric is crisp, the stripes are bold, the whole thing feels a little bit retro, a little bit “I just woke up and wandered onto set.”
Her hair is long, parted in the middle, falling in soft waves over her shoulders. Makeup is minimal–just a flush of pink on the cheeks, lips a natural rose, brows brushed up. No jewelry except for small earrings, no wild accessories, just the shirt and the attitude. The background is all drama, but the vibe is quiet, almost contemplative.
This is a look that leans into editorial energy–simple, styled, but never stiff. For those who follow celebrity photoshoot , it’s a reminder that sometimes the best move is to keep it stripped back–one good shirt, one great backdrop, and a little bit of mood.
She could be anywhere–a studio, a theater, or just lost in her own thoughts. Today, she’s here, and the stripes do all the work. The rest is just velvet and silence.
Kiernan Shipka appears in The Hollywood Reporter January 2026 issue, photographed in a contemplative editorial while reflecting on her career evolution.
January 15, 2026. Kiernan Shipka photographed against a cloudy sky, hand resting on her chin, gaze distant. Stella McCartney dress, face jewelry sharp, styling by Johnson. The portrait feels quiet, almost hesitant, yet deliberate.
Her look: structured but soft. The dress minimal, the jewelry adding edge. Hair loose, expression thoughtful. A celebrity photoshoot stitched from fragments. A magazine cover leaning into introspection rather than glamour.
Beyond the frame, her story deepens. From Sally Draper in Mad Men to Sabrina on Netflix, Shipka grew up onscreen. Now, at 26, she steps into HBO’s Industry , a drama of finance, power, and moral gray zones. She speaks of wanting more adult material, roles that carry weight, even discomfort. The timing feels right — a pivot from genre to prestige.
The critic’s note: Shipka’s editorial wasn’t about spectacle. It was about fragments — cloudy sky, jewelry sharp, career pivot. A styled shoot reframed into something tougher, more authentic. hipka’s ensemble reads as high fashion minimalism with grit.
The Stella McCartney dress carried restraint, while the face jewelry added bite. It’s the tension between softness and sharpness that makes this editorial resonate as authentic.
