Sunisa Lee’s rooftop moment—oversized, monochrome, and quietly commanding—felt like a love letter to utilitarian fashion with a dash of pointed-toe rebellion.
There’s something magnetic about a look that doesn’t beg for attention—but earns it anyway. At the Public School New York Club Supper during NYFW, Olympic gold medalist Sunisa Lee stepped into the twilight skyline with a fashion-forward ensemble that whispered cool rather than shouted it.
Outfit Focus Lee wore a beige oversized button-up shirt with exaggerated pockets, paired with matching tailored shorts. The fabric appeared to be a crisp cotton or lightweight twill—structured enough to hold shape, soft enough to move with her. The silhouette was boxy but intentional, a nod to utility wear reimagined for the fashion set. It’s the kind of look that could easily be mistaken for off-duty minimalism, but on closer inspection, it’s pure editorial. Think early Helmut Lang meets modern Public School—clean lines, tonal layering, and a silhouette that plays with proportion.
Ariana Greenblatt’s NYFW appearance was a masterclass in texture play—her look fused prep-school polish with downtown edge, all under the glow of a green carpet.
At NYLON Nights: Fashion Edition Celebration during New York Fashion Week, Ariana Greenblatt didn’t just show up—she showed out. Against a gradient green-blue backdrop and a city buzzing with runway energy, the rising star delivered a look that felt both curated and delightfully offbeat.
Outfit Focus Greenblatt wore a navy blue jacket layered over a black top, paired with a dark green skirt that shimmered with a textured, almost metallic finish. The skirt’s sheen caught the ambient lighting, adding depth and movement to the ensemble. The silhouette was balanced—structured on top, fluid below—creating a visual rhythm that felt intentional. It’s the kind of styling that could easily nod to Miu Miu’s rebellious tailoring or Marc Jacobs’ playful layering. The color palette, rich and moody, leaned into fall’s darker tones while still feeling fresh.
Accessories She carried a brown handbag—structured, mid-sized, and classic enough to ground the look. But the real twist came at her feet: beige pointed-toe heels paired with black-and-white patterned socks. It’s a styling choice that shouldn’t work, but absolutely does. The socks added a graphic punch, breaking the formality of the heels and injecting a dose of personality. Earrings and glasses rounded out the look, adding polish without veering into over-accessorized territory.
In a week dominated by sheer dresses and archival revivals, Greenblatt’s look felt refreshingly grounded. It tapped into the current obsession with celebrity street style —but elevated it. The socks-with-heels combo, the mix of navy and green, the structured-meets-shimmer silhouette—it’s all part of a larger conversation about fashion’s embrace of contradiction. And Greenblatt, it seems, is fluent in that language.
Never one to fade into the background, Isabeli Fontana brought ethereal edge to Venice—her embroidered lavender gown felt like couture dipped in moonlight.
There’s red carpet dressing—and then there’s Isabeli Fontana at the 82nd Venice Film Festival. At the premiere of After The Hunt , the Brazilian supermodel didn’t just wear a gown; she wore a mood. One that shimmered, whispered, and lingered long after the flashbulbs cooled.
Outfit Focus : Fontana’s floor-length gown was a masterclass in sheer seduction. Rendered in a delicate lavender hue, the fabric floated like mist—semi-transparent, yet intricately embroidered with silver and floral motifs that caught the light like dew. The silhouette was form-fitting, hugging her frame with precision before trailing into a soft, romantic train. Thin straps and a low neckline added a touch of sensuality, while the overall construction suggested hours of handwork—possibly Elie Saab or Zuhair Murad, though unconfirmed at press time. It was the kind of dress that doesn’t just photograph well—it haunts the lens.
In a season dominated by bold reds and sculptural blacks, Fontana’s lavender moment felt like a breath of fresh air. It nodded to the romanticism of early 2000s couture while embracing 2025’s obsession with transparency and texture. Among the many looks gracing the red carpet this year, hers stood out not for its volume, but for its restraint—and its poetry.
