Sunny Leone wore a deep-plunge knotted gown in rich chocolate brown at the Variety launch party in Mumbai, India, on February 1, 2026.
At the Variety magazine launch party in Mumbai, India , on February 1, 2026 , Sunny Leone chose a confident kind of laid-back elegance. Her gown? A russet-mahogany tone, softly lustrous, draped in the body like wet silk—with a twist at the midsection and that deep, plunging V that played just on the edge of restraint. It didn’t scream. It landed.
The cut was clean: sleeveless, floor-length, and gathered just enough to add movement when she walked. And instead of piling on accessories, she kept things easy. A metallic gold clutch , oversized cocktail ring, and pared-back earrings. Done. Her hair—soft bun, a little tousled, wisps curling at the sides like she didn’t fuss too hard. The event appearance energy was more grounded than starlet. She wasn’t performing. She was gliding.
Next to her, her husband kept it quiet in all black. Suit, shirt, tie—safe, unshowy. But maybe that was the power move. All eyes drifted toward her.
This wasn’t a look designed to dominate a carpet or chase headlines. It felt lived in. Elegant not because it tried, but because she didn’t need to.
Jennifer Garner wore a Saint Laurent blouse and leather pencil skirt at the Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day on February 3, 2026 , held in bright Santa Monica light, Jennifer Garner walked in wearing the kind of outfit that doesn’t make a scene—but still quietly holds the room. A Saint Laurent look stripped of theatrics: an olive-brown silk blouse finished with a weighty bow at the neck, fluid through the arms, tucked into a high-waist black leather pencil skirt that cut straight and knee-length. No flash. Just structure. Texture. Ease.
There’s something about soft fabric paired with leather that hits different with time. Not youthful rebellion—just sleek, grown quiet. The buttery shirt falls just right. The leather skirt has that subtle forward seam and a side pocket almost hidden in plain view. She anchors it with black ankle-strap pumps , sharp toe, a whisper of polish on the heel. It feels almost like her own take on press event style : linear, neutral, leaned-in.
Hair was worn down. Relaxed wave. Nothing sprayed into submission. No bold earrings. No jewelry talking too loud. Just some soft gold hoop glint, maybe mascara dialed back a click or two compared to the usual.
And maybe that’s the point. It’s the kind of power look that doesn’t need an introduction. Just a moment.
Kylie Cantrall wore a sculpted leather corset dress with oversized buckle hardware for a Thom Kerr Grammy editorial photoshoot in February 2026.
For her Grammy 2026 editorial photoshoot with Thom Kerr , Kylie Cantrall leaned all the way into industrial glam—edgy, exaggerated, and tightly controlled. The look? A strapless black leather corset top sculpted like armor, clinched with three oversized crystal-trimmed buckles shot straight down the bodice. There’s an undercurrent of cyberpunk here—slick but dangerous—with each buckle glinting like a jewel freshly ripped off a machine. Sharp tailoring flares at the hip, peplum-style but in hard textures, cutting the waist with intention.
Below it, a curve-hugging black pencil skirt , matte, ankle-grazing, no slits, no distractions. The body does the talking. On her feet? Pointed stilettos , black with a side cutout—not soft pumps. They bite. Like punctuation.
Her styling dials it up further. High pigtails , slicked and parted clean with just enough attitude to throw it all slightly off-center. Chunky crystal earrings , massive but intentional. Stacked rings. Nails painted in near-metallic cherry. Eyes smoked and sideswept. Lips deep, wine-toned. There’s no sweetness here, only statement.
This wasn’t a red carpet moment in soft lighting—it was a high-pressure studio portrait designed to catch edges. The whole look isn’t meant to flatter—it’s meant to strike.
