Suzanna Son posed in three contrasting outfits — neon layering, urban patchwork, and fringe styling — for Flaunt Magazine’s December 2021 editorial.
Suzanna Son leaning against a wall. Neon green top, leggings sharp, navy coat heavy. Fabric tied, boots white, eyeshadow blue. Room plain, ceiling tiles missing, cabinets open. A frame stripped down, outfit loud against silence.
Another frame. Coat gray, oversized, torn patches scattered. Shirt blue, skirt beige pleated, socks lace-trimmed, shoes platform black. Crate in hand, USPS letters stamped. Shadows curved, wall rough, light cutting edges. A look caught between grit and play.
Then fringe. Top sleeveless, teal pants steady, mannequins nearby. One seated, one collapsed, poster surreal behind them. Hand on wall, pocket casual, light directional, shadows long. A pause in a corner, half staged, half lived.
“Renate Reinsve posed in a textured red dress with tights and white platform boots against an abstract painted backdrop for Interview Magazine’s February 2022 editorial.
Renate Reinsve crouched low. Dress red, textured, tights matching, boots white, platform heavy. Arm resting, hand extended, pose deliberate but casual.
Behind her, paint swirls. Pink, blue, orange, purple. Abstract, chaotic, almost alive. Canvas filling space, colors pressing against her frame.
It’s straightforward. Outfit bold, backdrop louder. Together, they carry contrast. A shoot caught in motion, not polished, just seen.
Christina Kirkman posed in two contrasting outfits — one oversized sweater with tights, another retro tank and jeans — for Numéro Netherlands December 2025.
Christina Kirkman framed by roses. Sweater oversized, patches scattered, tights patterned, heels sharp. Letters “FCA” loud across fabric. Roses floating, backdrop pink fading into purple. A surreal pause, almost playful.
Then another frame. Tank white, jeans wide, shoes leopard. Hair straight, helmet blue with stars resting nearby. Jacket tossed, gasoline pump behind, motorcycle zebra-striped. Props heavy, retro, almost chaotic.
It’s straightforward. One outfit leaning into surreal florals, the other into Americana grit. Together, they carry contrast. A shoot, not a performance.
There’s something raw here. Not couture perfection, but lived-in styling. A look that feels half staged, half spontaneous, but undeniably hers.
Not just a magazine spread. More like two frames in dialogue — roses against sweater, denim against gasoline, presence against shifting moods.
