Suzanna Son appears in WWD’s May 2025 issue, photographed in a striking mix of leather, denim, and bold lipstick against a velvet curtain backdrop.
May 2025. Dark blue velvet curtain pulled tight, heavy folds catching light. Suzanna Son standing in front, outfit sharp, posture steady.
Her look: black leather jacket, cropped and stiff. Light blue jeans, casual but deliberate. Black high‑heeled shoes grounding the frame. Hair swept to one side, lipstick red, cutting through the muted palette. No jewelry visible, no glitter. Just leather, denim, and presence.
Tessa Thompson appears in Collider’s January 2026 editorial, photographed by Stephanie Diani in a sharp black suit against a whimsical pink backdrop.
January 2026. A pink chair, velvet‑trimmed, nailhead details catching light. Wallpaper behind her, pastoral scenes in soft pink tones, trees and landscapes repeating. Tessa Thompson seated, black suit crisp, white shirt clean, tie straight.
Her posture: one arm on the table, the other resting against the chair. Confident, but not stiff. Shoes unseen, but presence grounded. Hair brushed to one side, lipstick red, cutting through the muted palette.
Grace van Patten appears in NYLON Magazine’s January 2025 issue, photographed in a series of varied outfits that highlight her understated presence and contemporary edge.
January 2025. Different frames, different moods. Grace van Patten caught in fragments — seated, standing, leaning. Outfits shifting from bold stripes to muted tones, from tailored edges to loose silhouettes.
Her presence feels steady, even when the styling changes. A cropped jacket here, a patterned pant there, stockings, heels, undone hair. Each look carries a different rhythm, but together they form a spread that feels cohesive. Not polished perfection, but lived‑in.
