Sydney Sweeney wore a burgundy D&G vintage leather coat with fur trim in New York City on December 1, 2025.

Sydney Sweeney’s arrival at her New York City hotel on December 1, 2025, was less paparazzi bait and more cinematic entrance. The actress stepped out in a burgundy leather coat with exaggerated fur trim and buckle detailing — a piece that reads as both armor and archive. The garment’s sculptural silhouette and saturated hue evoke the maximalist codes of early 2000s red carpet fashion , yet its vintage patina and heavy texture suggest a deliberate nod to fashion’s cyclical obsession with nostalgia.

The coat, identified as a D&G vintage piece , anchors the look in a specific era of Italian glamour — one where excess was a virtue and outerwear was a statement. Paired with matching high-heeled shoes and dark sunglasses , Sweeney’s styling leans into the drama without tipping into costume. Her straight, shoulder-length blonde hair adds a clean counterpoint, keeping the ensemble grounded in contemporary polish.

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This is not a look designed for subtlety — it’s a calculated embrace of fashion as persona. The choice of a vintage D&G coat, especially one so theatrical, signals a shift in Sweeney’s style narrative: from ingenue to icon-in-the-making. The outfit’s cinematic energy, amplified by the nighttime setting and her poised exit from the vehicle, transforms a routine hotel arrival into a tableau of controlled spectacle. It’s a reminder that in celebrity fashion, the sidewalk is often the stage — and the coat, the monologue.

Marisa Abela wore a white button-down shirt with furry textured pants at The Fashion Awards 2025 in London.

Marisa Abela’s appearance at The Fashion Awards 2025 at Royal Albert Hall in London was a study in textural play and tonal restraint. Eschewing the expected red carpet fashion theatrics, she opted for a white button-down shirt paired with high-waisted, wide-legged pants rendered in a furry, tactile material — a pairing that felt more avant-garde lounge than couture spectacle.

The look’s strength lies in its deliberate contrast: the crisp structure of the shirt against the exaggerated softness of the bottoms. This tension between tailored and plush evokes the kind of subversive minimalism seen in Phoebe Philo’s early Céline collections, where comfort and control coexisted. Her layered necklaces and rings added a subtle glint, while the sleek hairstyle kept the silhouette clean and modern.

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Elle Fanning wore a white Ralph Lauren plunging halter maxi dress with Cartier jewelry to the 35th Gotham Film Awards 2025.

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