Sydney Sweeney wore a white uniform shirt for a home-based photoshoot.
Sydney Sweeney, known for her distinctive style and on-screen charm, showcases a relaxed yet chic aesthetic in a recent photoshoot for Good Housekeeping magazine, December 2025. The celebrity list reveals her as a prominent figure in the industry, consistently pushing boundaries with her fashion choices. In these images, Sweeney is dressed in a crisp white uniform shirt, paired with practical yet stylish accessories that align with the home-based theme of the shoot. The uniform shirt, a nod to classic workwear, is rendered in a soft, breathable fabric, suggesting both comfort and a polished look. This choice reflects a current trend towards blending functionality with fashion, a theme Sweeney embodies effortlessly.
Diana Silvers explores four distinct editorial moods in a richly styled Paper Magazine shoot blending vintage, drama, and sculptural flair.
LOOK 1: Black Strapless Dress with Red Heels
In one of the most visually layered compositions from the Paper Magazine December 2025 shoot, Diana Silvers stands poised in front of a white bookshelf, her silhouette framed by a strapless black dress adorned with floral embellishments. The scene evokes a cinematic still—half Wes Anderson, half Helmut Newton.
LOOK 2: White Lace Top and Voluminous Red Skirt
Reclining on a tufted leather sofa, Diana Silvers channels a portraiture aesthetic reminiscent of John Singer Sargent’s society women—opulent, composed, and slightly aloof.
The white lace top is delicate, almost bridal, while the voluminous red skirt anchors the look in drama. A gold necklace and bracelet add warmth and period flair, and the light blue pillow under her arm introduces a subtle chromatic discord that keeps the image from feeling too staged.
LOOK 3: Mustard Yellow Power Ensemble
Against a textured wall, Diana Silvers adopts a stance that recalls 1980s editorial power poses—shoulders squared, gaze direct, styling unapologetic.
The mustard yellow high-neck top with exaggerated shoulders pairs seamlessly with a matching pencil skirt , creating a monochrome column of authority. Long brown leather gloves and pointed heels reinforce the silhouette’s severity, while statement earrings add a flash of glamour.
LOOK 4: Olive Blouse and Mustard Skirt
In a dimly lit room with padded walls, Diana Silvers stands in a muted palette that whispers rather than shouts—an introspective coda to the shoot’s louder moments.
The olive high-neck blouse with long sleeves is paired with a mustard pencil skirt , echoing the previous look but softening its impact. Brown leather gloves and dark heels complete the outfit, maintaining continuity while shifting the mood.
Lily Collins wore a feather-trimmed vintage Fendi 1997 dress and a red Fendi Baguette outside The Tonight Show taping.
On December 9 2025, Lily Collins turned West 49th Street into her runway while arriving for a taping of The Tonight Show in New York City. She opted for a razor-cut, sheer-panel dress from Fendi Fall 1997 , cloaked in a shaggy black feather coat that flared with every step. High-gloss knee-boots anchored the look, but the evening’s exclamation point was a scarlet Fendi Baguette Bag —a welcome pop of colour in the twilight traffic. Explore more of her evolving celebrity style .
Fashion’s Y2K revival has largely obsessed over denim minis and baby tees, yet Collins selects a deeper archival cut: late-90s Fendi, an era when Karl Lagerfeld balanced architectural severity with sly sensuality. The decision to parade a 1997 runway piece in 2025 reflects luxury’s new nostalgia economy—where provenance matters as much as novelty and a well-documented archive photo can break the internet faster than a fresh sample-run gown.
