Sydney Sweeney was spotted in Brentwood wearing a white tee, high-waisted flared jeans, and sunglasses during a sunny afternoon stroll.
Linking arms and staying close in the bright L.A. sun, Sydney Sweeney brought easy elegance to the sidewalks of Brentwood. No premiere. No event. Just a regular Sunday but somehow — textbook modern celebrity street style .
Her outfit? Stripped-down but smart. A clean, slightly tucked-in white T-shirt , loose enough to move in, crisp enough to suggest deliberation. Paired with high-waisted flared jeans in classic mid-wash — not distressed, not cropped. They sit right at the waist and flow down with structure, grazing over her heeled black boots. The vibe is part ’90s revival, part “I didn’t overthink this,” though it’s obviously styled.
A black belt with a minimal silver buckle breaks the lightness of the tee and anchors the jeans. Accessories stay quiet: oversized black cat-eye sunglasses , a petite black shoulder bag , a delicate chain necklace, and a pop of blue from the bracelet on her left wrist. Hair? Natural, slightly wind-tossed, bobbed and softly layered. A no-fuss cut that breathes well in motion.
The whole look rests on the effortless style sweet spot — not fashion-forward, not normcore. Just composed enough to signal intent. Cozy enough to hold hands with comfort.
The kind of outfit that quietly says: I’m comfortable, you can chill — but yes, I still know you’re watching.
Peyton List wore a red blazer and plaid skirt in a Heathers-style look for The New York Times, echoing classic teen queen energy on stage.
Zara Larsson performed “Midnight Sun” at the 2026 GRAMMY Awards wearing a radiant green sequin ensemble with a dramatic sunburst waist.
For her live debut of “Midnight Sun” at the 2026 GRAMMY Awards , Zara Larsson didn’t just step on stage—she radiated. Fully. Figuratively. Literally. Her performance look was a sculptural burst of light molded into a stage-ready silhouette made from sequins, muscle, and impossible confidence.
A continuation of her red carpet theme but exaggerated for the arena lights, she wore a bright green-and-gold two-piece that caught every single beam. The top: a diagonally wrapped, strap-across-the-shoulder bra built from big mirrored sequins, curving upward like a blade. Her stomach bare, the midriff gleamed with movement under the heat of the spotlights.
But then—the skirt. Full-length, body-skimming, and completely covered in fern-like appliqués and microsequins, it shimmered with gold floral embroidery over a neon green base. From the waist, dozens of golden “rays” extended horizontally—beaded sticks exploding outward in a circle. Like a firework frozen at its most dramatic second. Architectural, risky, borderline dangerous if you’re standing too close. And yet controlled. Tight. Sharp.
She moved in it like it didn’t weigh a thing. Hair long, curled, swept behind the shoulders. She wore chunky gold earrings that mirrored the structural flair of the outfit—round, lit, maximal. Makeup minimal by comparison. Rosy lips. A wet, dewy face that glistened without slipping. She looked more like a goddess of heat than a typical pop performer—and that, of course, was kind of the point.
It wasn’t subtle, soft, or silver. This was sun-core fashion at full power—a dress that dared the stage to catch up.
