Sydney Sweeney wore a white tank, sweatpants, and sneakers while out in Los Angeles on January 29, 2026.
Spotted under the Southern California sun, Sydney Sweeney stepped out in Los Angeles with zero pretense and plenty of comfort. There’s something quietly effective about wearing what you want without it needing to explain itself—and she looked like she had no plans to try.
The look? Casual in posture, but specific in its pieces. She wore a fitted white ribbed tank top , the kind that hugs sculpted shoulders and makes even the simplest look land with more precision. Straight-cut, no crop, no embellishment. The tank was paired with heather gray sweatpants , high-rise and loose but not dragging—the soft kind, the run-errands-and-disappear-inside-them kind.
On her feet: white sneakers , low-profile with minimal branding. Clean enough to show she cares. Scruffed just enough to say she really doesn’t. In one hand, she carried a thick patterned fleece jacket , southwestern-inspired in design—earth-toned, geometric motif, a rare hit of print in an otherwise minimal look.
Topping it off: a navy baseball cap , structured, emblazoned with a round emblem patch. Hair tucked underneath in soft blonde strands, peeking at the collarbone. No handbag visible. No glam touches. The only accessory? A delicate chain necklace and a whisper-thin gold bangle at the wrist.
In a week shaped by red carpets and curated chaos, this moment hits refresh. This is celebrity street style built for errands, workouts, coffee stops—quiet, useful, and real. Sydney’s version of off-duty isn’t styled within an inch of its life. It just breathes. And maybe that’s the takeaway.
The fit doesn’t force relevance. But it doesn’t fade either.
Maya Hawke shifts through Vogue Hong Kong’s February 2026 issue, caught between raw intimacy and industrial grit.
In Vogue Hong Kong’s February 2026 issue, Maya Hawke is framed in four different moods. On the cover, she sits on a wooden floor, red button-down over black, lavender shorts, earrings heavy, gaze steady. Minimalist, almost stripped of polish, the shot feels like a pause more than a pose.
Then the switch. Barefoot on a white motorcycle, industrial walls behind her. Orange and black skirt with lace trim, bandeau top, blazer tossed over. It’s bold but not loud, more like a dare whispered than shouted.
Another frame leans into color. A green dress with volume, blue accents at the sleeves, her body pressed against a weathered brick column. The contrast is sharp — elegance against decay, fabric against stone.
The last image folds intimacy back in. She rides pillion, arms wrapped around a driver in black leather. Lavender gloves, light blue outfit, head resting on his shoulder. It’s tender, almost cinematic, but grounded in the grit of corrugated metal behind them.
Together, the spread doesn’t flatten her. It lets her shift. Floor quiet, motorcycle edge, brickwall elegance, urban embrace. Vogue Hong Kong doesn’t chase one image. It lets Maya be many.
Dixie D’Amelio wore a sheer black lace catsuit and corset top to the 2026 Spotify Best New Artist event in West Hollywood on January 29.
At Spotify’s 2026 Best New Artist event in West Hollywood, Dixie D’Amelio walked the black carpet dressed like a haunted silhouette—provocative, exact, a little spooky, a lot intentional.
She wore a fully sheer black lace catsuit , clinging ultra-tight, no opacity, no hiding. The lace is floral, delicate but stretching with purpose, revealing without stumbling into chaos. It’s one of those pieces that doesn’t need volume or cutouts—it participates by exposure alone. Over the top: a sculpted black corset , full boning structure, matte satin texture, cups outlined but not bulky. The kind of corset that shapes but doesn’t dominate. It keeps the lines sharp. Especially against all that soft lace.
The catsuit has elbow-length flutter sleeves, giving it an unexpected softness. A shrugging motion disguised as tailoring. And the fit? From neckline to ankle, it’s body-map precision. She styled it with pointed black stilettos , patent pumps with thin heels, barely visible from under the lace hem.
Her hair was styled voluminously with a tall, soft bouffant bun, face-framing strands staying out in that perfectly-messed-up way that screams retro but doesn’t feel playful. The glam? Smoky around the eyes, nude lip, contoured jawline. Earring-less. Bracelet-less. No accessories except her presence—which is a statement piece all its own.
In a room full of color-blocking, trend-chasing, and TikTok-neutral-safe-bets, Dixie went full visual risk. This look is high-concept street style meets lingerie editorial , but done without apology. She didn’t pull back on coverage for shock value—she leaned into construction. There’s a method under the skin, literally. It’s about silhouette and friction—not glamour.
