Tanzyn Crawford wore a striped black gown with structured layers and tie details at the A Knight Of The Seven Kingdoms UK screening 2026.
At London’s BFI Southbank for the A Knight Of The Seven Kingdoms special screening, Tanzyn Crawford arrived in a look that carried quiet bravado. The dress, entirely black but restless with texture, balanced sleek tailoring with undone movement. Vertical striping framed the bodice — alternating matte and satin to catch light differently with every small tilt. Panels fell unevenly from the waist, loose enough to sway but sharp enough to feel intentional.
Around her neck she wrapped a matching striped tie scarf, knotted once and left to drape asymmetrically — part Edwardian gesture, part punk restraint. Her makeup kept the same discipline: clean eyeliner, a soft shimmer on the lid, and warm brown lipstick instead of the obvious red. Hair pulled tight back into a polished bun gave clarity to it all, the geometry of her outfit fully exposed.
Audrina Patridge wore a hot-pink sequin mini dress and nude heels at the Infinite Icon premiere in Los Angeles on January 20 2026.
At the Infinite Icon: A Visual Memoir Los Angeles premiere, Audrina Patridge turned up in a dress that caught every bit of light in the room. The mini was bold pink–somewhere between bubblegum and neon–with tight, iridescent sequins stitched edge to edge. Long sleeves softened the cut’s drama, though the plunging neckline and small side cutouts gave it that late-2000s callback she’s always embodied so well.
Her hair, loose and sunkissed brown, settled easily over one shoulder while matching nude heels stretched her frame without distracting from the sparkle. The purse? A small gray clutch, cool contrast to all that pink. The tone of her look felt straightforward — not costume, not commentary — just the kind of glamour that works best when the wearer is obviously having fun in it.
Emilia Clarke and Haley Lu Richardson appeared on The Kelly Clarkson Show in contrasting looks — black elegance and bright printed vintage style.
On The Kelly Clarkson Show stage in January 2026, Emilia Clarke and Haley Lu Richardson walked out side by side, the perfect study in contrast. Haley, on the left, wore a vivid yellow two-piece printed dress with birds, trees, and soft baroque motifs stitched across the fabric — an outfit that felt a little nostalgic, as if drawn from an antique tapestry and given a new tempo. The cut was playful, with flared cuffs and a gently ruched hem. She finished it with simple black sandals and loose, wavy hair — sunny, easygoing, unfiltered.
Next to her, Emilia brought calm balance — a long black skirt in liquid satin paired with a fitted ribbed turtleneck. Around her neck, a sculptural collar necklace caught the studio lights, adding a flash of gold to the monochrome. Barely there makeup, polished hair tucked neatly behind her ears — an elegance that whispered instead of showing off. Together they looked like two moods of fashion conversation: one bright and buzzing, the other quiet and deliberate.
