Tate McRae wore a black strapless leather dress with structured bust and classic stilettos at the Saint Laurent Grammy 2026 party in Los Angeles on February 1.
On February 1st, 2026 , outside Bar Marmont at the Saint Laurent Grammy after party, Tate McRae looked like she walked out of a pulp-fiction panel—the femme fatale in full command. Her black leather strapless dress , slicked to the body like varnish over muscle, featured a structured bustier top with visible seam detailing and a tight hourglass silhouette. The shine caught every step. It wasn’t trying to be discreet.
Strappy stilettos , black rectangle sunglasses , and a no-joke strut. Hair was long, loose, and slightly glossy—old-school blowout energy. There were no visible accessories, unless you count the Essie Gel Couture Bubbles Only nail polish—short, dark red-orange, quietly fanged. The whole look was runway-meets-garage, femme-coded and street-sharp.
The dress, confirmed to be the Ludovic de Saint Sernin Isabella Dress , hit a very 2026 nerve: glossy texture in a world too digital to touch anything. Forget sparkle. This was about sweat-sheen. Like a command-line prompt for confidence, the look executed itself without error.
Amanda Seyfried’s Net-A-Porter February 2026 shoot moves between pink retro glamour, oversized faux fur, and leopard-print drama.
On the cover of Net-A-Porter’s February 2026 issue, Amanda Seyfried steps into retro glamour. Pink blouse, sleeves puffed, tie detail long. Striped Gucci skirt grounding it. Curtains behind, pale blue, trimmed. It’s staged, but not stiff.
Another frame: oversized faux fur coat, dark, heavy. Satin dress underneath, shiny, light. Sunglasses oversized. She’s standing on a bed, arms raised. Ceiling lights shaped like stars. The pose is exaggerated, but the room feels oddly domestic.
Third: leopard-print coat, fur collar thick, bow tied at the front. Hallway lit warm, chandeliers glowing. It’s dramatic, almost theatrical, but softened by the golden light.
Together, the spread doesn’t flatten her. It lets her shift. Retro blouse, faux fur, leopard coat. Each outfit carries its own imperfect rhythm.
Rosé wore a strapless black sequined dress with side slit and sculpted roses at the Saint Laurent Grammy 2026 after party in Los Angeles on February 1.
At the Saint Laurent Grammy after party inside Bar Marmont on February 1st, 2026 , Rosé took the phrase “little black dress” and twisted it into something sharper. The strapless gown was pitch-black and densely textured , sprinkled with subtle shine—no flashbulb glamour, just a velvet-wrapped darkness. Twisted floral structures shaped the bust and hip like wilted roses caught mid-bloom. The cut? Clean. But one thigh-high slit sliced the elegance with just enough intention.
She paired it with slim black strappy heels , cat-eye sunglasses , and an old-Hollywood blonde curl moment—tight, cropped, and intentionally imperfect. Jewelry was minimal but unmistakable: the Tiffany & Co. Sixteen Stone by Tiffany Bangle and Knot Double Row Ring in White Gold with Diamonds , both gleaming like quiet punctuation marks. The Tiffany & Co. necklace , set in platinum, echoed that same restraint. Oh—and there’s the light blue iPhone Air Bumper tucked casually in the background, like a soft jab at all the curated stiffness around her.
This wasn’t just another celebrity event look . It was a citified remix of classic Hollywood: sharp where you’d expect softness, muted where sparkle usually screams. She looked like the closing line of a noir film—unexpected, unsentimental, and still somehow unforgettable.
