Tate McRae wore black athletic shorts, a fitted zip-up top, and Bessette sunglasses after a gym session in Studio City on January 28, 2026.
Caught post-workout in Studio City on January 28, Tate McRae left the gym looking like someone who lifts, laces up, and never tries too hard about an errand look. The vibe is gym-core leaning on streetwear—done in all black, naturally.
She wore a long-sleeve quarter-zip athletic top, fitted tight enough to read flex but not overly sculpted. The hem rides up just slightly to show a sliver of midriff—enough to catch sun, not attention. Her gym shorts? Loose-legged, mid-thigh, that swishy synthetic material made for movement but almost too nostalgic to ignore. Layered waistband detail peeking above, giving it just a touch of that early-2010s layered-gym-girl effect.
On her feet: all-black athletic sneakers with pronounced soles, paired with fresh white crew socks, visibly branded. The contrast’s deliberate. Accessories are few but firm—oversized black Bessette “The Nina” sunglasses , practically plastered across her face, shielding any post-workout flush. Ponytail pulled taut and neat. Water bottle and phone in hand, plus what looks like a folded hoodie or gym towel. There’s no glam grab here. Just instinct and utility.
Melissa Barrera moves through Elle Mexico’s January 2026 issue, shifting from vintage grit to sequined ease.
In Elle Mexico’s January 2026 issue, Melissa Barrera is everywhere at once. On the cover, she stands against a pink backdrop, brown zippered top, silver jewelry catching the light. The headline calls her voice a gift, and the frame feels both bold and stripped down.
Inside, the mood changes. She sits on a blue sofa, floral lace top and skirt, red trim edging the sleeves. The colors are layered — grey base, pinks, blues, reds — delicate but not fragile. It’s a look that feels like it belongs in a living room, not a runway.
Another shot pushes vintage. A cropped houndstooth blazer with gold buttons, high-waisted trousers, clear-framed glasses. She holds a black corded phone, coiled wire dangling. Retro, almost playful, but styled with precision.
Then the finale: a strapless white mini dress, sequins and fringe shimmering against pink curtains. Hair loose, expression steady. It’s the most direct of the four — no props, no furniture, just her and the dress.
Together, the spread doesn’t chase one image. It lets her shift. Cover star, sofa quiet, retro suit, sequined edge. Elle Mexico doesn’t flatten Melissa into a single mood. It lets her be many.
Do these four outfits feel like fragments of different personas, or one restless editorial voice?
Ella Purnell wore a rainbow sequin dress in a neon-lit arcade for her Entertainment Weekly photoshoot in January 2026.
For her January 2026 Entertainment Weekly feature, Ella Purnell lands somewhere between retro dive bar dream and disco-lit fantasy. She’s leaning on a slot machine, elbow set, eyes daring you to pull the lever. One shoulder forward, like the scene caught her mid-move, mid-thought—and mid-glitter.
The dress is pure lighting bait: full sequins, long-sleeved, body-skimming but not skintight. Studio golds, greens, reds, and saturated blues ping off the fabric like a digital fever dream. The surface flickers with every shift, like it can’t decide whether it wants to be vintage Vegas or downtown club kid or something less referential altogether. Her hair—warm chestnut, blunt bangs, soft waves—is styled loose and nonchalant. Intentional, but not sculpted. Like she showed up already camera-ready.
